After Clearing the Game, I Became the Villain Boss

Apart from anything else, writing about catching children and trying to save them is really poisonous. Even Shen Nong couldn't stand it. As for the demands they made for catching children, it was too low for them to succeed. All the people from the outer city built monuments to worship them. In the eyes of the inner people, the outer people couldn't compare to a dog. Even if you got the identity, the men knelt down to pass, and the women were touched here and there. Didn't you write it yourself? The male subordinate of the protagonist was beaten several times when he went to the city. Without the protagonist, he would have died a long time ago. The little girl under your command had her limbs broken when she was a child when she entered the police station. You yourself have died a dozen times without any strength when you entered the inner city. Why are you being a virgin here now?

After reading so far, the plot and world framework are very good, but after the death of the villain number one, the plot seems to have lost its direction. I don't know how your outline is written, and it feels not very satisfactory. I'm fully subscribed, and I can't beat the 9 recommendation votes every day. I originally wanted to see the development of the plot for so long, but the writing of these recent chapters has been a mess at best. At best, did you, the author, have lost your mind and looked for an opportunity to cut it? The basic style of writing has changed, and the author seems to have changed. Very disappointing😔😔😔

Stitch monster, cyberpunk world view, extraordinary system settings apply the blood code of the prosthetic body and CODE VEIN (I can't see it yet because I haven't written it down). In the first thirty chapters, at the beginning of the time travel, the protagonist is limited by a life and death crisis, and the plot can be called ups and downs. After the thirty chapters, the plot immediately becomes dull, and it seems to be due to the lack of an outline. First of all, the setting is not complete, and as a player with the prophetic advantage, I rarely see the protagonist taking the initiative to make strategies, such as becoming stronger. We didn't have any potion factors or equipment (the handgun was delivered to our door passively), we just found a connection (Heywood, Countess was not counted, she was the protagonist who took the initiative), and the team recruited two people (KK, Future). Improving our strength depends entirely on training (at least as of Chapter 84 when I abandoned the article). Let's talk about the character of the protagonist again. At the beginning, because of the dilemma of life and death, the protagonist acted like the world is big and the world is the biggest, and he described his selfish desire to survive several times. For Baimao, he only ensured that he could survive, and gave Baimao a luxury hope of living to take advantage of her. The subsequent reversal of "People can be selfish, but they cannot be ungrateful" may seem deliberate, but it makes sense anyway. What happened next? Faced with the characters of the original plot whom they met for the first time, they were familiar with each other and had no defense, and their favorability was maxed out. They even told the plot characters who met for the first time, the ancestral blood code, which is the biggest cheat besides the player's prophetic advantage (in other words, there is no difference between those who have the prophetic advantage and those who don't). It goes without saying that the protagonist in the author's works is always the protagonist. Secondly, I fell into the inferior category. What made me defeated was what happened in the twenty chapters after it was released? The oyster oil girl, the glaring treatment of the good-for-nothing protagonist, and the kindhearted rescue of a homeless kid only to strangle him to death... All the evil spirits and monsters appeared. I couldn't understand what the author wanted to say with the outrageous plot, so I just ignored it and didn't write a good novel, but wrote some witty plots.

Water, water, water, poison, poison, poison. The villain is dead and has no direction, and he doesn't even know what he is writing. He doesn't improve his own strength at all, and he will become a passer-by in the future. Can't read.

Good-looking, but not enough. As for the protagonist, I don't feel that he is very strong right now. There is little description in this aspect, and there is still too little drama.

It's okay in the front, but it's getting more and more mentally retarded in the back. You still make bets, and you get annoyed when you see bettors. Is there really a fool who bets with you?

Can you write some extra stories for Dabai Qiling?[Emot=default,06/]

The beginning is quite interesting, with the male protagonist passing through the body of a minor villain in the game. It's quite exciting to plunder luck. But there are so many details in the process that it's hard to say whether it's a good read or not.

Or just have fun and leave no regrets in the end, focusing so much on the supporting characters who died without any explanation. Things that can be solved perfectly are over because of a butterfly effect. Isn't it logical? You are a fully accomplished player. You are not as cautious and prepared as you should be. You know the importance of information gaps but do not engage in intelligence. Isn't the monitoring robot in the front very confusing? I can't figure out the movements of the villain and protagonist in the later stage. Otherwise, don't write that you are a super memory person and start with a blank slate. There are also dead people. It is very common to write about dead people, but don't always write that you could have saved them. The so-called heroine who had the ability to save died so casually. It is better not to say that she is a heroine. It feels suffocating to watch, and the pleasure is not complete, as if it's just an inch.

Looks good, good script, everyone has a happy ending