The God of Death, but Yunichi Jiguo

--The kind of book reviews I write are mainly for authors, so they do not have the function of a "reading guide" that readers need most. As for readers... If there are readers who are willing to read my personal experience and superficial theories, then I will be very happy. Excluding the redundant things, the author's story about Jiguo Yuanyi was unexpectedly acceptable to me. I have also read the author's explanation in the book review (only the second article is about the changes in Yuanren's personality. I have no feelings or comments about the third article. I will write down my feelings below the first article). I do believe that people will change in decades, especially when they encounter huge changes, those things they regret will significantly contribute to change. After all, if you teach others, you will not be able to teach, but if you teach others, you will learn immediately. I myself have changed in the past four or five years... This is not important, so let's just give a casual review of this book. I originally wrote "discussion", but I currently don't have much energy and mood for "serious thinking" (which means spending more than three hours writing a book review of several thousand words), so I changed it to "casual review" (one or two hours). ★Disadvantages: Too many unnecessary things - psychological activities, dialogues, single descriptions Of course, I'm not talking about the protagonist Yuanyi, I'm talking about some supporting roles - except for special circumstances where the protagonist needs to reduce his presence, it's better to write more protagonists than less. There is no careful statistics, just my personal feeling after reading more than a hundred chapters - I was very interested in the plot at first, but ended up being very tired after reading it. I was so tired that I didn't want to read it for a long time after I finished writing the review. Therefore, there are definitely a lot of unnecessary things that diluted the appeal of the plot to me and made me no longer have expectations for the unknown future. ★First, only use superficial and monotonous descriptions and dialogues to express the protagonist's genius and the supporting characters' admiration for the protagonist's talent. As for "Enichi's strength is used to express his genius", this is not convincing. Everyone who knows Jiguo Enichi himself knows that he is a genius, and "expression of strength" that is too superficial and insipid will have no effect, and something new is needed. The descriptions of movements, expressions, and details are very rough, as if the author has exhausted himself after trying his best to portray Yuanyi. ★Second, only one person has a soul. Yuanyi's "calm and indifferent" temperament somewhat overwhelms the characteristics of other people. As of now (about Chapter 109), no character can appear beside Yuanyi for a long time, stably and permanently and bring out his characteristics. Therefore, I think some readers may mistakenly think that "Yuanyi's background is light" (the first point in the author's book review explanation). In fact, I feel that the whole book is very "light" because other people are "infected" by Yuanyi too "lightly". ◎...I don't deny that the protagonist can change others, but Yuan Yi's temperament is not so contagious. Can the whole story be consistent with his rhythm in a hundred chapters? Is this the case with fanfics that end up completely different from the beginning of the story? No, even the protagonists in those works are mostly the opposite of Yuanyi - the kind who love socializing, are extremely lively and cheerful. They can use two or three major events to slightly change the environment, and five or six to significantly change the environment, because they communicate frequently with other characters in the story, whether fighting or chatting, they are all active and active socializing, and they have the awareness to actively seek to change the environment, as well as the leadership ability and infectious personality charm that they can actively use. What about Yuanyi? I don't think he is such a person. I am also sure that he in this article is not such a "active and social" persona. He also does not actively seek to change his environment (showing indifference to strangers, as well as to bad systems). Why is it that in just 100 chapters, there is this feeling of "others are just as indifferent as Yuanyi"? Don't you think it's a little inappropriate? ◎--In other words, except for Yuan Yi, the other characters in this book have no characters that readers can clearly remember. They just imitate the shape and do not have the "unique soul of the fan" given to them by the fan author. ... I think this is not difficult to understand. The core thing is not to simply imitate and copy the name, appearance, and stereotyped actions into the article, but to give your own special understanding of the original character to the "corresponding original character in the fan", so that he can come to life again and no longer completely belongs to the original work. For example, when you think of those original protagonists who are somewhat famous, you will naturally think of "unique original characters" who are equivalent to the second male lead. What's more exciting can even make many original characters deeply rooted in people's hearts in a new way. ★Third, there seems to be foreshadowing, but it also seems like there is none at all. I think the author also wanted to set up a foreshadowing when writing about Yamamoto and Aizen... But it always felt different, a bit inexplicable. But it might just be that it just doesn't match my preferences and frequency. At least I don't have that strong sense of expectation, nor do I have any familiar feeling that "I can match the author's code" or the urge to write a review and analysis, nor do I have the urge to go to bed and immediately communicate with the author about his understanding of the characters. It's a pity that the author's deep understanding may not be the same character as my favorite... ★Fourth, the dialogue sentences seem too short. There are many sentences in my feeling. It is indeed necessary to emphasize that dialogue that is of special use to the characters and plot should be separated into separate paragraphs. But almost everyone talks like this... IMHO, short sentences have a sense of urgency, which will keep the reader's spirit tense for a long time. Are all those short sentences really important? No, almost none, so in fact the reader rarely gets positive emotional feedback... It's very tiring to read. Using only short sentences is the other extreme of writing hundreds or thousands of words without paragraphing. Both of these are formats that are tiring and not interesting to watch. ★Attached, fifth (My thoughts tend to jump around a lot. For the sake of logic, I cut out a part of the content that was written during the writing process that was not very relevant to the context but related to the overall book review.) Yuanyi himself is not a person with a strong desire for expression. Even if the author increases the conflict in the plot, Yuanyi will not maintain too deep colors for a long time. As the author said, he just wants to protect his family and live a peaceful life. ... This is even more "bland". Enichi is too mature. Kurosaki Ichigo at least still has the characteristics of a hot-blooded boy. He is also driven by the plot and has similar goals. The method of writing Enichi is different from the method of writing Ichigo. ... I feel that a protagonist like Yuanyi who has very few emotional ups and downs does not seem to be suitable to be written from the perspective of a traditional protagonist. Maybe it would be better to use side descriptions? (It's just a personal vague feeling, it can't even be called a suggestion, and my understanding of Jiguo Enichi has not reached this level) (Aizen and Urahara, whom I know well, are both characters that are difficult to write from the perspective of the traditional protagonist, but so far I have met many fan authors who have successfully written these two people through side descriptions, but too much psychological description is still a taboo. I only know my current understanding of Aizen and Urahara, and I don't know if it can be applied to Enichi. Here I am just telling you about my successful experience in shaping Aizen and Urahara.) Note: I started writing at around 11 o'clock in the night on January 6, 2025. It seems that I have been writing for almost two hours. I finished it at 1:25 in the morning on January 7. I have read about 109 chapters before posting a comment.

It will be released on the 30th. I am too lazy to wait for the release day before posting. I will reply to a few questions raised by readers since the book was published. First: The background is light, and there shouldn't be so much psychological activity... When Yuanyi has psychological activity, he is always facing some choices and encountering events, such as when he has the opportunity to get information related to poetry. At that time, should he be expressionless and emotionless? Impossible, what he cares about most in his life is poetry. Second: The words and deeds are inconsistent with the original work. First of all, as soon as Tsukuni Yui of Soul Society experienced the cruel environment of Rukongai, Sister Hana killed nearly a thousand Rukongai in Zaraki alone, and even said that they were bullies. Do you think the robbers and robbers in hundreds of neighborhoods add up? It doesn't mean that if he lets those robbers go, the robbers will learn to behave. It is impossible for bad people to become good, let alone be full of evil. The only outcome is death. It can be said that Enichi killed more robbers and robbers in Rukongai than the ghosts he killed in his lifetime. After having this experience, he still needs to be the same as the original. Is he a wooden person? His personality remains unchanged throughout his life? When I was a child, Yuanyi used to laugh a lot! Based on this experience, I have restored the underlying character as much as possible. I am neutral towards good people and do not want to do anything to good people, but I am evil towards evil people as I would treat them without misfortune. Especially after experiencing Wumei running away and not being able to grasp this incident until old age and death, Yuanyi's way of dealing with things is far more decisive than when he was young, because once people like Wumei are allowed to breed, they will repeat the mistakes of the past. It's painful for yourself and others. The third one is probably Tanjiro and Nezuko. One more thing, Enichi doesn't know Nezuko, so he can't judge whether Nezuko will do evil in the future, and he can't guarantee whether his judgment will endanger the lives of others. Let Tamashi go just because Tamashi could help him kill Oniitsuji Mukai at that time, that's all, not out of sympathy and mercy for Oni. If Zhu Shi kills someone after that, Yuanyi will definitely eliminate them. After all, this is contrary to the concept he insists on. He is the Virgin, but not the Virgin Biao. Don't always look at God's perspective. Tanjiro's words... The relationship between Enichi and him is actually very weak. His feelings are only for Tanjiro. Tanjiro is the descendant of Tanjiro who doesn't know how many generations later. It is more out of care for the descendants of his best friend. Therefore, seeing that Tanjiro's experience was similar to his own, it was impossible to sit back and watch him die. Unfortunately, facing a young man blinded by hatred, light words were of no use, so his attitude could only be tougher. For example, your whole family was killed and you wanted revenge. At this time, someone stood up and told you not to take revenge... Is it possible for you to agree? Obviously, it is best to let him make his own choice at this time. Practicing water breathing is the same as practicing sun breathing. He will not be able to enter the door in a short time, lest he die in confusion. As for the rest, there are some setting issues. I was indeed wrong about this. The comic fonts were too small. If readers hadn't reminded me, I wouldn't have known there was so much content in the captain's meeting a hundred and ten years ago. But these were only seen after I finished writing several major plots. One change would cost hundreds of thousands. This change is fatal to the new book. I wasted nearly a month revising it, and in the end it was difficult to even put it on the shelf. I might as well rewrite it. Just let it go. It will fade away later and it will no longer be elegant. Finally, a thousand readers are a thousand Hamlets. Don't substitute some preconceived impressions and then point your nose at me and say something is wrong here or there. It really affects my mood. Sometimes I feel like I'm making trouble unreasonably. It's really wrong. I've been scolded to death for a long time and I can't even delete it.

Young Enichi and old Enichi are completely different, not to mention having lived in Rukongai for such a long time. Anyone who has seen Death knows what District 80 looks like.

The data is so bad that I have to change the world. The light novel is not a popular subject and I can't write it.

The title of the book is grammatically incomprehensible

I've seen it many times, although I haven't read it yet. I've watched "One Piece" since I was a kid, and it seems to be a second version.

Don't ask, just ask because you like to see. Come on

The plot is good, I never thought that Demon Slayer and Death could be linked together. This book is very novel. If you connect Japanese comics together, Soul Society is the world of the dead. After the demon slayer is over, can the gods of the world be able to connect Naruto, Pirates, and Inuyasha, using Soul Society as a link to connect various animes.