Traveling Through Tomb Robbing: from Jingjue Ancient City to Changbai Mountain

Traveling Through Tomb Robbing: from Jingjue Ancient City to Changbai Mountain

by 2024 My Heart

Length:
300Kwords127chapters
Latest:
Ch. 127墓室坍塌
Activity:
Updated 5mo agoScraped 5d ago
14Comments
7.4KFavorites
507Fans
7.2QD Score

About This Novel

Excellent ancient city + bronze door + system golden finger Find the dragon and divide the gold to look at the entangled mountain. One layer of entanglement is a layer of barrier. If the door is closed with eight layers of danger, the yin and yang and the eight trigrams will not appear. Changbai Mountain cannot freeze his tenderness, and the bronze door cannot lock my god. The protagonist Gu Chen accidentally traveled to the world of tomb robbing and became Lao Hu's cousin Gu Chen. As soon as he landed, he was bound to the "god-level sign-in system" and obtained Yinglong's bloodline. He led Lao Hu and Fatty Wang to the ancient city of Jingjue, rescued Shirley Yang, entered the Longling Mysterious Cave, entered the Worm Valley of Yunnan to obtain the Muchen Bead, and then helped everyone resolve the red spot curse at the Kunlun Temple. Decades later, he led Wuxie and others into the Qixing Lu Palace and obtained the "Kilin Exhaustion"; signed in at the Xisha Undersea Tomb and obtained the "Snake Eyebrow Bronze Fish Decoding Method"; and signed in in front of the Bronze Gate at the Yunding Heavenly Palace in Changbai Mountain to unlock the "ultimate clue". From the ancient city of Jingjue to the ancient building of the Zhang family, from the golden captain to the Iron Triangle, Gu Chen relied on the system sign-in system and his own strength to unlock the ultimate secret...

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Official(14)Scraped 6d ago

QI
Qiantang Landscape7mo ago

To my writer friend who can't write novels

My friend who writes novels has opened a new hole. She showed me the beginning, and after I glanced at it twice, I poured cold water on her. "What you started with is as lukewarm as a glass of overnight boiled water. Who can drink it?" She was not convinced. I asked her to sit down and cut her open. The first knife: cut off the nonsense and see blood on the tip of the knife What does the web article begin with? It was the first gunshot on the battlefield, and the first look at each other during a blind date. You must make the other person either excited, nervous, or curious within three sentences. How does she write? "Gu Chen opened his eyes and found himself on a green train, with Hu Bayi sitting next to him..." It's over. Telling things plainly is like a glass of water. How to write it? "The 50 million lottery prize had not yet warmed up. When Gu Chen opened his eyes, he found that he had become Hu Ba's frail and sickly poor cousin, driving towards the grave." --The sense of loss (50 million) + the sense of strangeness (travel) + the sense of crisis (sickness + tomb robbing), the three senses are superimposed, and the conflict is directly embarrassing. Readers will immediately ask: What then? The second knife: Emotion is not an adjective, it is a physiological reaction She said she wrote "the main character is shocked." Shocked as hell. The shock is the earthquake in the pupils, the tightening of the throat, the rush of cold air from the soles of the feet to the sky, and the beating of the drum after the heart stops for a beat. It was screaming "My fifty million!" Over and over again in my head, and I wanted to slap myself in the face to see if it was a dream. The body is more honest than the mouth. Write down the physiological reactions and the emotions will be in place. The third knife: The system is not a manual, it is a life-saving straw Her system prompts are written like a mobile phone software update log. "Ding! Get Yinglong bloodline (elementary level), strength +10, agility +10..." Readers will just skim through it quickly without any disturbance. What is the system? It is a gun suddenly thrown to the protagonist in a desperate situation, and a rope suddenly grabbed when drowning. Obtaining bloodline should be like "a scorching torrent suddenly exploded, instantly overcoming the familiar feeling of weakness in the body, and it seemed as if the air could be crushed with a squeeze of five fingers!" The reader should be allowed to experience the "coolness" through the protagonist's true feelings, rather than looking at a cold list of items. The fourth knife: Information is not poured in, it is leaked out She throws the setting, background, and character relationships all at once to the readers through the "influx of memories." This is the laziest and stupidest way. Information should be like water in a colander, seeping out little by little. When writing about Hu Bayi, there is no need to introduce who he is. It was written that his "old military uniform was washed white, his brows were filled with composure and vigilance honed over years, and the hand that handed over the kettle was rough and calloused." Readers can naturally feel: This man is not simple, he looks like a veteran. The dialogue brings out "Uncle Nine" and "You are weak, don't show off". The relationship and background of the characters will naturally come out, which is a hundred times better than forcing it. The fifth knife: the ending is not a period, but a fishhook At the end of her first chapter, the protagonist is fine after receiving the reward. Readers also closed the book. The hook at the end is a must! "Before he could recover from the ecstasy of gaining strength, Gu Chen suddenly shuddered - a cold and biting breath, like a poisonous snake, floated faintly from the corner of the carriage." --Immediately establish new suspense and threats, making readers eager to click on the next chapter. Summary: Internet writing is not literature, it is swordsmanship. It precisely hits the readers' pleasure, itching and pain points. The first knife seals the throat with blood and establishes conflict. The second cut cuts through the emotions and makes readers feel the same. For the third time, give out golden fingers, but let the readers experience the feeling of pleasure. The fourth step is to lay out the settings quietly, so as not to choke the readers. The fifth blow, the hook at the end, kept him awake. If you practice these five swords well, no matter how gentle you are at the beginning, you can turn them into bloody swords. Don't please yourself, please readers.

53
JI
Jiangtian_dc6mo ago

What you say is like farting

I just said before that you must obey the command completely, or you will leave the team, but they didn't listen twice, and you have to save them instead. You are a nanny, which is thankless, and the mission does not require you to follow the archaeological team.

32
SM
Smiling Proudly and Famously ( ఠൠఠ )ノ8mo ago

It's okay. You can take a look at it. It's basically based on the main line of the original novel and there's nothing new!

21
LE
Leng Xiྀ࿐7mo ago

To be honest, I read the original work every day and follow the plot of the original work. There is nothing new. If it is about opposing the protagonist or adding some difficulties to him, it looks pretty good.

24
付小
付小肆7mo ago

Never be gay, never be gay, never be gay, say important things three times

13
TH
The Ignorant Journey of Life7mo ago

Didn't read it, please comment first

I don't know the specifics, but I still want to say, first of all, don't be invincible, otherwise it will be boring. Then have your own creativity and write some plots that are different from the original work. It is best to use your own creativity as the mainstay and the original line as the framework. This kind of plot is the best and can attract readers.

11
长白
长白山上的黄大仙7mo ago

Make your novel more popular!

11
TH
Thunder Tiger_dc7mo ago

催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更催更

1
HO
Hongmeng Tianzun3mo ago

Should I still write this book? If I don't write it, I won't read it.

14
书友
书友202501021755mo ago

There are no secrets at all. It's like being naked. Normal people know the principle of keeping wealth secret. Later, the whole world will probably catch the protagonist and slice it up to study the secret of immortality.

1

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