Great Sculptor

This book is an excellent and refreshing article, where the pretense and slap in the face come naturally, and the sense of gain and expectation are intertwined. But this book is not just a cool article. I believe that people who have also experienced artistic creation can read more content from this book, and can be deeply moved like me. They can also see that its background is cold, deep, and hidden pain. It's like watching a giant creature in the deep sea. While marveling at its uncanny workmanship, you will inevitably fall into madness. Creation itself is a painful process, and geniuses will more easily feel the pain keenly. But this kind of pain is bright, and it is different from a literary masterpiece of the same period that also attracted much attention. If that book is about a middle-aged literati who is unwilling to be ordinary, mediating in the world of love, then this book is about a young genius in full bloom, galloping in the realm of imagination. That one was realism, and this one definitely falls into the realm of romance. In comparison, I am more optimistic about this book, because people always have to abandon their complacency and have a big dream. With the author's appropriate use of writing, the despair and pain in the fateful curse actually form part of the vitality of the work, which is sad but not sad. I cried over it, not because I was sad, but because I was moved. Finally, respect creation, respect love, and respect madness. In the field of art, we are all ignorant children, devoutly pursuing the footsteps of God.

The new book by the author of "Soul Painter" has similar themes, the same restraint, but a different flavor. Compared to the painter, this book has more of the despair and madness unique to Ke, but it is still enjoyable.

Seedless Melon**'s new book follows the unique flavor of "Soul Painter", but is darker, crazier, and more intoxicating. It feels like a dangerous whirlpool with aesthetic value, attracting curious lambs to fall into a trap and dance a song of death and despair.

"Strange-flavored beans" This is a very complete story. Although the character of the protagonist is not as popular with me as Gao Fan, this story made me like him. But I have to say that I didn't like the plot after Xiao Ne came out of the Miao Village again. It was a space battle (tactical fallback). If you suddenly come back after your inspiration has dried up, your skills have improved, and your reputation has fallen silent, and you create a level 10 pinnacle work, then you can directly talk about the story later. I feel that the story will be much cleaner. Xiao Ne and Gao Fan are both typical "paranoid artist" characters. But Gao Fan is more reserved and artistic, while Xiao Ne is more violent and crazy. Compared with "Soul Painter", the plot is much more refined. Although the early school part is not as sensory as "Soul Painter", the subsequent fast-paced part is much better. "Strange Bean" "Soul Painter" See review above. I got a little impatient at the end, so I stopped reading and read the summary in the comments section. The story is a good one, with a sense of ouroboros, but I still like the more realistic plots in the front. Every time the author writes that the world is in chaos, he has no sense of immersion, and the rhythm is also messed up. The author of Qiuqiu, please stop writing plots like "The Buddha Is the Tao" in the next version of King of Soul Singers. I really feel like I can't stand it every time I read it. Especially for the personal part, I felt like I was on the wrong set. "Strange Flavored Beans" "Weird God on Paper" I feel put off by the name. It is obviously a very good entertainment article and a mentally retarded actor in the entertainment industry. Especially the part of "The Waves Behind" is absolutely amazing. The world you travel through is similar to "Lord of Mysteries", and the time you travel back and forth is similar to "The Naming Technique of the Night", but the protagonist has a doppelgänger. In fact, the world setting of the Ke series is good, except that the author still insists on going to the set to write a Western fantasy Zhuge Liang, which is a little uncomfortable. But I must say that Earth is so well written that it would do very well if it were written as a separate book. However, Truman's spiritual setting would be relatively abstract if written alone. Hey, in short, I have read so many books by the author. Except for the golden fairy fruit in "Ten Thousand Years" which made me very annoyed and stopped reading, I like all the other urban plots. It just gives me the feeling that my results would be much better if I had fewer plot points.