Noon 2: It's Not Advisable to Stay Here for a Long Time
by Noon Story
About This Novel
Zhang Beihai is in Shanxi, Han Song is in the world of science fiction, and Fugue is in Cambodia. At noon, look for those lost stories. Following "High Noon 1: I Walked Through the Wall", this book is the second in the "High Noon" series, and it still maintains the quality of the first issue in terms of content. In the opening column "Words to Noon", this issue invites Zhang Beihai to write about his experience of returning to his hometown in Shanxi, which is plain and moving. The "Features" column is the main story at noon. We try our best to find those who have been ignored and things that have been left behind. The most outstanding ones in this issue are "The Craftsman of Time" and "The Song of the Loser". In the "Essay" column, we hope to add more literature and write in a freer narrative way. In this issue, Han Song was invited to write "Me and the Science Fiction World" for "Noon", describing the past and present life of a magazine, reflecting the science fiction nature of China's reality. "Personal history" is actually an oral history, digging out those buried but memorable memories. In addition to narratives, we occasionally launch "interview" series, which focus on thoughts and concepts. "Visual" is a special column of Noon. We try to establish a tension between images and text, and between images and art. A new column called "Playthings" was also opened at noon in the second issue. The most interesting thing in this issue comes from "Silent Bamboo Lady". Summer is coming, maybe you also need a bamboo lady. The end of the book is the "long story" that the Noon team prefers. Its "longness" does not lie in the number of words, but in the distance of time and space. I recommend "Snowy Nyalam".
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