Retreat Notes
by Shi Tiesheng
About This Novel
Shi Tiesheng's novel. "Retreat Notes" is Shi Tiesheng's semi-autobiographical work, composed of twenty-two paragraphs. "Retreat Notes" describes the impact of social changes since the 1950s on the generation of disabled people C, painter Z, female teacher O, poet L, doctor F, and female director N. We will gaze silently, separated by a short distance and vast time, at the sadness and impermanence of life, and appreciate the richness and brevity of history. He or I, remained calm but sad.
What Readers Think
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Official(7)Scraped 20d ago
Very nice.
Recommended and worth collecting. Chinese literary masterpieces are treasures in themselves, and even better than treasures. There are many phrases and phrases in them that are worth reading and appreciating.
Check it out in the comments!
The past and the future are both blowing with the wind of the present
I saw the hope in my heart, but it was a miracle of fantasy
I saw the hope in my heart, but it was a miracle of fantasy
At the beginning, I fell into that beautiful house and couldn't tell the difference between Z, O, WR, L, T, F, and N. Their repeated but different but similar life trajectories made me confused. Later, I understood that everyone is a chaotic system, and a small difference will lead to very different results. I see myself in them. Are my efforts nothing more than the pursuit of love? If I opened another door, would I still meet her? Will I still be myself now? Is the difference between dreams and reality just beauty and cruelty? What happened yesterday will still happen today, and tomorrow will be just a repeat of today, probably because today is yesterday's tomorrow and tomorrow's yesterday. Am I the author in the book? Is it God? Or is it a symbol, a symbol of a group of people who witness all aspects of life? All three. In this case, they must be ourselves, ourselves in the 1970s. In order to survive, we gave up sincerity, learned to be cunning, and gave up the love we pursued. We were pursuing that beautiful house, but we veered off course in confusion. But it's not too biased. After all, we are still moving towards death and towards the answers to all questions. Only Shi Tiesheng could write death and tragedy into autumn. He was not the only one who had seen death, nor was he the only one who was not afraid of death, but he was the only one who saw that beautiful house and countless doors through death.
very good
Very nice and such a bookstore
In "Retreat Notes", I took up the titles of all chapters
Rating
Community(0)
Official(7)Scraped 20d ago
Very nice.
Recommended and worth collecting. Chinese literary masterpieces are treasures in themselves, and even better than treasures. There are many phrases and phrases in them that are worth reading and appreciating.
Check it out in the comments!
The past and the future are both blowing with the wind of the present
I saw the hope in my heart, but it was a miracle of fantasy
I saw the hope in my heart, but it was a miracle of fantasy
At the beginning, I fell into that beautiful house and couldn't tell the difference between Z, O, WR, L, T, F, and N. Their repeated but different but similar life trajectories made me confused. Later, I understood that everyone is a chaotic system, and a small difference will lead to very different results. I see myself in them. Are my efforts nothing more than the pursuit of love? If I opened another door, would I still meet her? Will I still be myself now? Is the difference between dreams and reality just beauty and cruelty? What happened yesterday will still happen today, and tomorrow will be just a repeat of today, probably because today is yesterday's tomorrow and tomorrow's yesterday. Am I the author in the book? Is it God? Or is it a symbol, a symbol of a group of people who witness all aspects of life? All three. In this case, they must be ourselves, ourselves in the 1970s. In order to survive, we gave up sincerity, learned to be cunning, and gave up the love we pursued. We were pursuing that beautiful house, but we veered off course in confusion. But it's not too biased. After all, we are still moving towards death and towards the answers to all questions. Only Shi Tiesheng could write death and tragedy into autumn. He was not the only one who had seen death, nor was he the only one who was not afraid of death, but he was the only one who saw that beautiful house and countless doors through death.
very good
Very nice and such a bookstore
In "Retreat Notes", I took up the titles of all chapters
