The Walking Dead - Seven Days to Kill

Group number: 702700853 There is a female manager (≖ ◡ ≖✿) Everyone is welcome to come in and discuss the plot!

It's okay, but the golden finger is not very powerful. I think the gun-drawing skill at the beginning is a bit weak, with a 1.5-Second rapid fire. The golden finger at the beginning is so useless. I feel that the author has pressed it too hard. Also, his mentality is not normal at the end. Maggie wants to find medicine with the protagonist, and he says in his heart, 'Also, Your future son-in-law', I want to ask, you don't even know Glenn, and you are not even a friend. What do you care about him? It's normal for you to bring Maggie back safely. You have to add such a disgusting sentence, because at a glance, you are licking the protagonist image of the protagonist group, and the relationship between strangers still needs to be there. Regardless of how the other person will be in the future, I think Daryl is much more attractive than the protagonist, because he only takes care of his friends and does things silently. In the previous scene at Clay's house, the author also deliberately made it more difficult and made the protagonist look awesome. I just felt that it was really unnatural. It seemed that apart from the protagonist The rest of the characters are like trash. They keep controlling the level of Goldfinger so that the protagonist doesn't become too supermodel. If you want to open it, open it a little louder. Don't open it to be invincible like Superman. Just use it as strong as Punisher or Captain America. If you want to open it, keep pressing it. Who has the patience to watch the protagonist only become a little stronger for a hundred chapters?

After reading Chapter 40 or 50, I found that the protagonist was basically in a very tense environment throughout the whole process, with no place to relax. This seemed to be a classic routine of getting tired easily, and the protagonist was weak throughout the whole process, and then the weak defeated the strong. First, he encountered a three-person group who was dragged along for a long time, but was not killed in the end. Then he encountered a 20-person thug group, followed by a camp of 80 people. It's as if the whole world is targeting the protagonist, everyone wants to fuck him, and I feel that these camp thugs are forming too fast. In the place where the protagonist is, the Resident Evil crisis has just broken out, and the protagonist is dead. He should be at the forefront of the survivors, but the protagonist leads a team of old, weak, sick and disabled, and there are 80 gun-wielding thugs on the opposite side. The ratio is seriously imbalanced.

The Walking Dead(×) Game copy(✓) Compact plot ≠ compact combat. To survive in the apocalypse, you need to search for supplies. Searching for supplies will spawn zombies, and after the battle, marauders will spawn. The battle will attract a wave of zombies or other marauders, and then you can only choose to retreat with some supplies and then cycle through the dungeon.

More plot, less fancy rhetoric

Clementine and AJ, Kenny, Lee, Duck.

I haven't watched The Walking Dead, but I played 7 Days to Die. The writing was pretty good, but the cheating wasn't strong enough. Although Seven Days Kill is not a concept god like MC's Steve, he is also a man who can dig up trees with his bare hands to find honey. He is a fierce man who builds blocks. No matter how bad he is, he can kill indiscriminately with a stone spear and a bow. In short, it does not reflect the characteristics of Seven Days Kill's master builder of dangerous buildings, item manufacturing, material decomposition, and sneaking to detect zombies. However, the plot arrangement is very compact, and it is very suitable to be used as food and fodder to keep reading, so don't let it fatten you up, or you will run out of it.

Each scene is arranged too tightly, with no transitional plots or daily routines. Each scene is indeed wonderful to watch alone, but reading it in one go will quickly lead to fatigue, making it difficult to read seriously. Relatively speaking, transitioning into some life chapters will make people more eager to read. (A little rest in the end of the world will always bring some relief to people, including readers) (And this kind of combat density and intensity inevitably makes me aesthetically tired and makes me feel that the author is dead or doesn't know how to write about life and character relationships)

You are even better! The book is good, come on, your monthly pass is enough

Boom boom boom, boom boom boom. Ah, there will be no more after that