China Entertainment: a Great Director Who Emerged from Chinese Opera

I don't want to invest in tx, I don't want to run the web myself, I don't want to run short videos, video websites, theaters, and novel websites😓

Do you think just one director is enough to make a movie? ? Nortel is not only great at directors, they have an entire behind-the-scenes system, and behind-the-scenes professionals are the foundation of the film industry. There are only actors in the Chinese drama, the director is in the direction of the stage play, and the behind-the-scenes team is even more proficient. The author takes this for granted.

The cost is doubled, the work is better, and the results remain the same as reality. May I ask the author, what is the significance of the protagonist's investment? You signed a bunch of actors and opened a company, but in the end you sent the signed artists to study, and you didn't start more projects. Just your projects every year, and then you raised a bunch of signed artists, and there weren't many movies. Don't you know the TV series? Is it not difficult for Reborn to work on several TV drama projects every year? Wouldn't it be possible to make money by recruiting some people and having the protagonist come up with ideas? What is your purpose in starting a company? If you don't launch many projects, you still sign a bunch of artists to support them and do charity?

What the hell is the soup at the beginning? The author might as well have been Zhao Feite, or Bai Zhi Zen. There are a lot of talents like this in Chinese dramas.

Written by Xiaobai? So exaggerated? I would always fall into despair, or almost pass out from excitement, etc. How many years have you been studying and you use such exaggerated words?

In fact, it is difficult to write entertainment articles. I am afraid of being superficial and impetuous, but I am also afraid of going deep into it and being depressed. Therefore, I need to pursue an artistic balance. The very contradictory point is that no matter how good a script writer is, he will be affected by culture and the environment. It is difficult to tell stories under the collision of cultures. Because there are many uncontrollable factors, I will subconsciously compare it after accepting the cheating of the male protagonist. A movie like Takita Yojiro's The Embalmer, which has the essence of East Asian culture and is different from domestic traditions, and Damien's Explosive Drummer, which is abnormal. Neither editing nor recording jazz movies stand out based on their scripts, and it is hard to imagine that a director can create these two films with a strong directorial style in a short period of time. Perhaps in China, entertainment movies are inevitably cheating and plagiarizing, but copying can also have its own ideas and creativity. , In fact, some movies are really born for the times. Their birth is far from being as simple as a good script. This is also a major reason why we love movies. They are full of coincidences and miracles. When those unexpected things can be controlled, all literary and artistic works lose their fresh life. Let's talk about the story logic of this book. The most exciting features of entertainment are winning awards, literary anecdotes and romantic one-night stand. Considering the last two points, it is difficult to write in China. As far as winning awards is concerned, it also requires a progressive relationship. There are a total of 14 Class A film festivals in the world. You can now East Film and Shanghai Film in Asia have achieved some results, so don't be too hasty and rush to open up the American market. If the timeline is adjusted to the early 1990s, there will be more ways to make the first pot of gold; the writing style will be more calm, considering the early 1990s. The dialogue style and character traits, those jokes in recent years affect the rhythm of the writing. The most important point is that in China, a humane society, we hate such politeness and hypocrisy but have to accept it. Therefore, in the story, I would rather see a young man who is a bit maverick, not so slick and sophisticated but has literary and artistic ideals to speak through his works. Several like-minded filmmakers create an ideal industry. These are some simple remarks I have seen in this book, not a requirement for the author. Finally, I would like to point out some inaccuracies. Masahiro Motoki turned out to be a cellist in the orchestra in the original film The Encourage, and the soundtrack was composed by Joe Hisaishi. To put it bluntly, the soundtrack had a profound impact on the rhythm of the film. On the other hand, the film's exteriors and dialogues are equally sophisticated, even today's Japanese people have a mysterious and unique view of death. One of the reasons why the modern beauty of death is still difficult to reproduce may be the Zen spirit of mourning and samurai spirit engraved in the bones of the Japanese. This unique temperament of one person is the most difficult thing to reproduce in the movie. In other words, if we Chinese are allowed to film the executioner, it may be presented in an expression similar to the film "Broken Hell". The author said that this is a less complicated film, but he underestimated the ambition of a director. The Embalmer is indeed a story without any surprises or even cliches, but it can tell a linearly advanced story with full of spring, and make the confident and intelligent audience into the movie, laugh and cry. This is far more rare than winning an Oscar for a foreign language film.

I took a look at it and felt it was too awkward.

In fact, is the core advantage of an entertainment director traveling to the past the plot of a movie he has watched? Shouldn't the core advantage be reflected in the advantage of technology? It's impossible for future generations to know the applications of various film technologies and how to implement them, right? You have innovated technology. Who dares to say that you are not a great director? Do you also have an understanding of every stage of film development to achieve dimensionality reduction? Also, is the status of a great director conferred by awards? Today, everyone basically knows that most of the awards are just to gain recognition. What is the meaning of pursuing awards? For example, Chinese special effects companies only started to invest in private enterprises in 2006, and production software only started to be developed in 2013.

I see free every day, what's going on?

Entertainment articles are meant to be read with pleasure. The main thing is that the content should not be too outrageous, just have a sense of immersion.