Quickly Wear Female Supporting Role: the Villain Boss is Pretending to Be Pitiful Again

As far as the first interface is concerned, those people who were avenged by the heroine were very good to the original owner in the first life. It was because the stupid x was reborn and used charm to confuse those people that the heroine in the second life was so miserable. Now I don't feel very happy about the heroine's revenge on those people. On the contrary, I feel a little uncomfortable🐶🐶

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I still like the way the female protagonist criticizes like crazy. The female protagonists in the later planes are becoming more and more docile in front of the male protagonist, and they are becoming more and more awkward in handling things. They even pretend to be weak like those scumbags.

~~~New dimension~~~ Actually, I don't quite understand it. The heroine knows that she will act drunkenly when she is drunk and her vigilance will become low. Why does she let herself drink too much? It feels like this is not the attitude that a person who has experienced so much hurt should have. It may be said that she trusts her dog, but the feeling that the female protagonist gave me before was that once she changes planes, she will treat the male protagonist as a new person, and will also evaluate the male protagonist's danger level and consider whether to be with him. I always feel that it is different now. Also, in the new dimension, the heroine knew that the hero had no good intentions towards her, so she deliberately approached her, and even wanted to take intimate photos of them. I was a little angry when I saw it. But the heroine actually ended it in one fell swoop. It was so beautiful that everyone was embarrassed and slept with the hero. It was so bad that my whole fucking body was torn apart. Isn't this a cheap dog man? Yun Xiaomiao! We have to brace ourselves ~~~Commander plane~~~ At that time, I felt that the male protagonist in this dimension was always jealous and did not understand the female protagonist's heart (of course, the female protagonist was sometimes a little emotionally arrogant and thought she had communicated well with the male protagonist). In the end, he turned black when he could not get the female protagonist. I thought that in the end, the male protagonist would go through a series of things and then understand that giving the female protagonist what she wants is the best thing for the female protagonist. But it turned out that the female protagonist actually compromised in the end...? Damn, I'm still a little disappointed. I hope that when the male protagonist doesn't understand it, the female protagonist really wanders around the world alone. I can accept this level!

The female protagonist is originally innocent but not stupid. She has experienced so many involuntary situations, and it is normal for her to become dark. But deep down in her heart, she still hopes to have someone who cares about her, so the emotional line with the male protagonist develops naturally. But the commander's plane made me feel very frustrated. Although the results of male and female were not specified in detail, they were biased towards the good ones, but alas, it was very frustrating.

When I first found this novel among strong women, I was hoping for a real (strong female) #This label is the most straightforward and popular understanding, rather than being stumbling upon the male protagonist. # There are many kinds of sweet pets, and there is no need to force them to be perfect. #The female protagonist is strong in the later stage but is always maliciously arranged to fall into the hands of the male protagonist. There are so many ways to pursue, why should she use strong and almost forced methods to get it? #When a very beautiful and powerful woman has to fall into the hands of a man again and again, you can watch this on men's videos, it's already shocking #There is also a very serious situation where the female protagonist forcibly subdues the male protagonist in the later stage. For example, in the drinking scene: it's normal, but whenever the male protagonist appears, forget it in private. Even if there are other people around, say anything you shouldn't say to others. Is it because, the author, your setting is that in the later period, the heroine becomes more powerful and becomes more powerful? If not, why not be careful, not think, and get drunk happily? Or is it that you subconsciously rely on the male protagonist and feel okay? Strong woman? I don't understand #After getting along for a long time in the later stage, do you indulge the male protagonist regardless of his strong behavior? But the writing is not conniving, it is simply that the female protagonist is weaker than the male protagonist, either in terms of force or mental strength. It is written as if she can't escape this man, and she keeps on writing that she can't escape without this man psychologically, making it even more like she can't escape. #Let's just write that the male protagonist is sweet and doting on the female protagonist. The female protagonist is only capable but not too scheming. On the contrary, it is more in line with the content of the article. #The whole thing is for sweetness, pampering, and HD. The word strong woman has been squeezed and ignored. It is not comfortable at all for the purpose of a strong female character cool article. It is recommended to delete the female strong tag directly and write it as a sweet, pampering, and scumbag cool article. Even so, don't make it too obvious that the female protagonist meets the male protagonist and is demoted. #In the background, the mind and will that have been tempered by being cannon fodder for the first time in thousands of worlds are still darkened. In the end, it is hard to use your brain when facing a male protagonist? #One question, how does the female protagonist deal with the male protagonist's extreme behavior and personality? Even if the background is darkened due to the pitiful background, and the language is all cage-like, not to mention some of the scenes where the heroine is chained and imprisoned, should a normal heroine accept it? Strong woman? If he doesn't get taught a lesson, he still lets the male protagonist coax him? Subsequently, he also instigated himself in his heart, what can he do to avoid irritating the male protagonist and being locked up again? So what will you write next? Although the female protagonist is pampered, she is still overwhelmed by the male protagonist and forced to obey? Or is it because the male protagonist has a bad experience and tolerates everything the female protagonist does? Is the male protagonist's extreme temper set to change? Let the heroine live in a cage of extreme love forever? Being the personal belongings of the male protagonist of Little White Rabbit and Canary? How can I change it after writing it like this? Do you have to wait for the male protagonist to make an unforgivable mistake and then mess with him in several planes? Otherwise, for the sake of sweet pets, we will continue to make mistakes and not change? #Finally, the ending of the plane is unclear, especially the endings of some of the main supporting characters are not explained at all, only the male and female protagonists are not explained clearly. #My personal words are difficult to listen to. If you don't like it, you can delete the comment. But I suggest you read it and think about the problem clearly. Otherwise, there will be no way out if you keep writing this article. If you keep writing like this, you will have no way out.

I really want to praise this book for its story. Because of its introduction, I was very attracted to it, and it was because of the introduction that I read it in the first place. But as the story was slowly updated, the length became longer and longer, from less than a hundred chapters at the beginning to over a hundred chapters now. It's okay to have an ending, whether it's be or he, I can tolerate it. However, I really can't bear it without an ending. I really want to spit it out. That's right, it is aimed at the story of the previous plane (the Ai family really just wants to support themselves in old age). Regarding the length, there are 294 chapters, nearly three hundred chapters. Some people commented that this plane could be written as a separate book. This is a bit exaggerated, but it is not unreasonable. Bizhang is a fast-travel article, and fast-travel articles usually have dozens of chapters per plane. Although it is rare for a plane to be extended to hundreds of chapters, it is not impossible. This is not a big problem. Regarding the content, the beginning was okay, and the character setting was okay, but the more I wrote, the worse it became... I won't comment, it may be because the author has no inspiration or is in a bad state, etc. Here are some suggestions... Forget it, I don't recommend it. I'm not the one writing, and I don't know the outline of the author's ideas, so I won't make random suggestions. Although the specific content has been delayed a bit, the setting of the heroine is also getting a little bit worse... Regarding the heroine's character, I really don't know what to say. The setting of the heroine should be that she turns black after rebirth, so that even the male protagonist can be oppressed by the system, and dare not go east or west. But now the system is indeed like this, but the male protagonist is completely different. From the first time he was forced by the female protagonist to now, he is now forcing the female protagonist. And the development between the male protagonist and the female protagonist up to now is completely different from what was said in the introduction, not to mention exactly the same. The system is broken, the male protagonist cannot be found, and the female protagonist cannot find the male protagonist. It has nothing to do with the heroine's character in the profile. It feels like the female protagonist is completely unable to suppress the male protagonist, and she can't even notice when the male protagonist comes. I really want to complain, but I might as well stop complaining because I'm afraid I won't be able to stop it. Regarding the ending, well... I didn't put a "(End)" mark on the title. I really thought the story wasn't finished yet and there should be more to come, but it is indeed finished. The next chapter is a new story in a new dimension. But the content is indeed not fully explained. At the end, the heroine said she was going to the southeast coast to fight pirates, seize islands, and seize resources, but she was gone before she arrived. The subsequent development is left to the reader's imagination. Moreover, the heroine said earlier that she was going to the southern Xinjiang tribe. Did she go there again or not? And the final emotional line between the male protagonist and the female protagonist, are they getting married or are you chasing each other and not getting married? As well as the career line of the little emperor's court, and the fate of the main male and female supporting actors in the capital, these were not explained, as if they were cut off at the waist. I don't know what to say more. To be honest, if it weren't for the fact that the introduction setting was so attractive to me, if it weren't for the fact that I followed thousands of chapters, if it wasn't for... I would really abandon this article. But now, seeing that it has been so long, I am really unwilling to abandon you. Even if I don't like it, I will chase it to the end. The benevolent sees benevolence, the wise see wisdom. Normally when I post a book review, I will give it a five-star rating, but now, I really want to give it a three-star or four-star rating, but... Forget it, I won't give it a rating. After all, it's not easy for the author to write so many words. That's it!

To be honest, the first three worlds are really good, but the fourth one really left me speechless and uncomfortable. I feel that the male protagonist has begun to change. Not only does he always distrust the female protagonist, but he is also self-righteous, and his brain circuit is not in line with the female protagonist. He always forces the female protagonist to do something, and the female protagonist has no way to resist. I thought the female protagonist was quite strong before, but in the end. . . Hehe. The male protagonist still wants to be imprisoned. He is really sick. He is not as good as the male protagonists in the previous world. This makes me a very different person. It is really uncomfortable. I thought I found someone good-looking, but it turns out that the male protagonist is getting more and more perverted and sick.

It's so annoying to watch. The first few planes are okay, but the later ones are cliche. In the front, the heroine is awesome and coaxing, and she is not afraid of anything. But in the back, there is nothing that can be done to the male protagonist. The male protagonist completely suppresses the female protagonist. The male protagonists in the back are all crazy, and the force value is still high. The female protagonist doesn't resist at all, and can't resist. It's really annoying to watch. It's so exciting. Obviously the first few planes are fine, and the heroine has traveled through time again. The heroine has There are so many treasures, materials, materials and treasures, I have experienced them all over again. I don't know if I have read too many cliché plots and the requirements are too high. I feel that the male protagonist suppresses the female protagonist. The female protagonist, who was originally awesome and coaxing, has no ability to resist in front of the male protagonist and feels tired. Isn't she capable? Or does the experience of the female protagonist make the female protagonist more powerful? Nowadays, it is common in novels that the male protagonist suppresses the female protagonist. I am speechless and engage in sexism.

The female protagonist forced herself to be a strong character in the later stage. She was clearly supposed to be a strong female character but she was overpowered by the male protagonist and was forced to do so in various ways. What kind of female protagonist is this? May I ask? There are also supporting characters who are supposed to take revenge but don't get much revenge, and heroines who are supposed to be ruthless but are thwarted by the male protagonist again and again... Tsk