Korean Entertainment Prodigal, No One Can Change Me!

It's getting better and better, not bad, really good

After getting into Korean entertainment books, I bought many Korean entertainment books on my bookshelf at the same time. I personally think this one is very good. There are a lot of cool points, but it's not the kind of mindless cool story, non-systematic story. The protagonist has no system but has a strong background + he will dream of unpublished songs from time to time (the setting seems to be that the songs dreamed of are related to the emotional line at that time). Protagonist setting: Grandpa is Chinese-American, grandma is Jewish, father is Chinese-American + Jewish, mother is Korean (can be said to be full of buffs) There are many female protagonists, not just one. Warning⚠️⚠️⚠️ There are spoilers for some of the love stories below, if you mind, you can go to the main text and watch it by yourself. The female protagonists who have left a deep impression on me include: Pei🐰 (In the early stage, the senior Fan refused the protagonist because he was afraid that the relationship would affect his career. The contrast between chasing his husband and the crematorium in the later stage was a refreshing point) Shirley (Personally, I think this is the sweetest relationship line. The truth is that I really love the protagonist. She is the first person in the protagonist's harem to take the initiative to help open the harem. I was stupid and thought that it was my lack of care that caused the protagonist's psychological problems. Li Za, you are serious🐶) There is also Lin Zhenna, 🐏 I won't spoil it too much (there are specific character cards in the qd next door). In short, there are many female protagonists, but they are not mindless bulldozers. They all have specific emotional lines, and they are intertwined with their career lines. They are not purely about emotions.

First of all, thank you to the book friends who clicked in. In any case, it is because of your existence that the unpopular subject of Korean entertainment has always been popular and will not completely disappear. This is my first time writing a novel, and I originally wrote it with the intention of writing it for myself, so the setting of the protagonist and the early plot were all flawed and immature. But I didn't expect that there would be so many supportive book friends now. The background of the protagonist Li Longxi I set is: My grandfather was a Chinese citizen who was naturalized in the United States because of the war, and he married a Jewish grandmother who also avoided disaster. Then the protagonist's father is Chinese American + Jewish, and the protagonist's mother is Korean, and later became an American citizen, so the protagonist is American + Chinese + Jewish + Korean, a pure mixed race. (If there is a black nickname later, just call him Li Za) The family members are sister Lee Jin-hee and a brother. The family atmosphere is good. The sister is mainly responsible for the family business and also supports the protagonist to experience the world and fall in love. Because the protagonist's father is of Jewish descent, the protagonist's family and his cousins ​​formed a consortium to establish an investment company and an asset management group, but the protagonist's family did not have the final say. (Die Jia: The protagonist's parents and grandparents all felt that his career as an artist was just for fun and that he was not doing his job properly. They would not waste too many resources to support him at first. After all, as the eldest son, what the family most wanted him to be is the heir.) At the same time, the protagonist also has a golden finger: as long as he comes into contact with information that can become an "anchor", the dream prophecy will be triggered. The main purpose is to obtain important international news (involving business layout) and classic songs (classic melodies are easier to remember) in advance, but entertainment novels are still used for writing songs, and the former only enriches the setting. The reason why the protagonist chose to make a debut was because he was an investment data analyst during his internship. He was exposed to too much information every day, which triggered boring news dreams every night and was tortured to the point of neurasthenia. Later, he chose to debut as an artist because he was awakened by music in his dreams. At least it could be used as an alarm clock, which was much better than watching a lot of news. In addition, the protagonist himself likes to experience new things. He has never been an idol, so he becomes an idol, and he has never been an actor, so he becomes an actor. In short, he just enjoys the world. (Zai Laijia: The protagonist has his own business layout before his debut. Fugue Entertainment and JYP are established to jointly manage the protagonist's brokerage business. JYP is responsible for the Korean and Japanese markets, and Fugue is responsible for China and the United States. At the same time, Fugue has also invested in SM and JYP, and will also acquire other entertainment companies later.) At that time, I set the background of the protagonist to be so strong, just so that he could become a top player in China, the United States and South Korea, and become a global superstar, and his family would be able to protect him and provide support behind him. At the same time, such a setting will make it more reasonable and convenient to open a harem later, but after all, I have never really been a chaebol or capitalist. There are indeed many shortcomings in terms of rhythm and content control. Some book friends feel that the emotional line progresses relatively quickly, mainly because I want to establish the character of the protagonist [The Prodigal Son] first, not the slimy and indecisive character. The character of the protagonist is that of a prodigal son. During college, he loved to be playful and flirtatious and quickly changed girlfriends. However, after debuting in Korea, he was attracted by traditional, dedicated and affectionate female protagonists. His character changed subtly, from being affectionate and flirtatious to affectionate, affectionate and long-term. Of course, the only thing that has not been transformed is the nature of affection. (It's normal for the protagonist to master some PUA street pick-up skills, but it's not to harm the heroine and the heroine, it's just to keep them by his side. He's not really a scumbag. He was both heart-wrenching and reckless during his relationship with the heroines. He must have the redemption he deserves.) As for the career line in the early stage, which was too flat, it was mainly because it was my first time writing a book, and I was afraid that my debut results would be too exaggerated, and the plot would fall apart later on. And I personally feel that it is unrealistic to beat EXO and BIGBANG as soon as they debut, not to mention that the main character is in JYP. If I really write like that, I won't be able to write well, and I feel that the later stages will be much less enjoyable in a step-by-step manner. Many top groups in South Korea have gained fame step by step. BIGBANG, EXO, and BTS were not favored in the early stage, but it did not affect their dazzling performance in the later stage. So I asked the protagonist to step up step by step, first win the New Music Award and then the Grand Prize, first play the second male lead and then become the male lead. After his career reaches the top, he can join the previous business line. (The selected songs are related to the works, and NetEase Cloud Music also has a song list compiled by book friends, which is the title of the book. If you are interested, you can appreciate my song selection skills) I admit that I have many shortcomings. I was a little constrained in writing the book at the beginning. In order to take into account the realistic logic, some plots did not fully satisfy the fun points. A lot of the content focuses on daily life and the emotional line, but does not pay attention to the pursuit of excitement. It's not that I don't want to write about the career line, I just want to be more logical, so the progress is slow. However, book friends who have been supporting me until now say that I have made progress and it is much better than the beginning. Book friends who find the previous chapters boring can try skipping. If I have time, I definitely want to revise the previous content, but there is no way to guarantee it. Because I am not a full-time writer, I usually have work and life, and I can basically only code in my free time, so updates are often at two or three in the morning. I also thank my book friends for your tolerance. I also want to write hundreds of thousands of words a day and release the plot I have conceived in one go so that everyone can watch it happily, but my coding speed is slow and I am really not a tentacle monster. To be able to write this, I really want to thank some book friends for their votes and support, helping me promote the book in other places, and helping me explain the complete concept I wrote later, so that I, a newbie, can have the opportunity to share my spiritual world with everyone.

Let's talk about the career line first. From the moment we formed a temporary group, I had a sense of déjà vu from "What I'm Playing is Real". Of course, I don't mean to copy it. Occasionally similar plots are acceptable. But the subsequent song selection, song publishing, endorsements, and beauty pursuits, as well as the descriptions of fan reactions and market reactions, except for the Korean song selection, which is a bit new, the rest of the process can more or less be found in other novels. This is routine. When readers can predict what will happen on the next page, the pleasure is compromised. The emotional line is even more boring. Take Bae Xiuzhi as an example: the "lucky rabbit's foot" at the beginning, the character immediately stood up. The result? In order to make room for the new couple, Bae Suzy became an "underground lover". When they meet, they only greet each other and care about each other, and the same goes for other old lovers. This is the running account. The female characters I wrote about earlier have also become occasional supporting characters. There are also casual romances like Ken Dou - they don't advance the plot, they don't have any new ideas, they just satisfy the readers. This kind of content is always classified as water. The emotional line of the new heroine has also begun to flow. For example, the plot of the face-to-face plot is very routine, but other books put it at the beginning, but here you put it in the middle. The basic process: being together, being discovered by the agency, terminating the contract and quitting the agency. According to this trend, the following CPs of Wo Jie and Yin Yin can be predicted. There is a high probability that one will fall in love with the other. Wherever the career line is written, the emotional line will be laid out. The root cause of the above problems can be summarized as that the protagonist has lost his soul and is serving the author's outline. So the plot started to become boring. Because you dare not let him make a truly outrageous choice. In fact, it completely subverts the traditional Korean entertainment novel routine. For example, in "Lady Reinvented", you can completely ignore reality and let the protagonist promote the second season as a producer and make your own cake instead of eating what others give you. Or you can magically modify a love movie script and hire the original cast to film it, claiming to be a gift to movie fans. Another example is the relationship line. The relationship with Shirley went underground due to illegitimacy. It can also be reversed. It is revealed that there is more than one sister-in-law, and it is directly exposed that there are two or three sisters-in-law who come to share the pressure. They are all in love. If it is revealed, it will be detrimental to personal ethics.

I feel that the book recommended by book friends was really good before it was put on the shelves. The main reason is that the more I write, the better it gets. It is considered to be in the top three levels of hy that I have read recently.

The protagonist is a native, I can't stand it

It's really not my fault. The Broadcasting and Communications Commission is under the direct leadership of the president. The wording in the article is "say hello", and there are at least two family members who can "say hello". What kind of magical background is this? With such a background, he went to jyp entertainment to debut as a singer, and when he saw someone who debuted early, he still bowed and called his senior,? ? ? ? ? It doesn't matter if my grandpa is rebellious and angry, he's still angry because he has a private doctor, and then he goes and talks down to his idol,? ? ? ? ? Sicong loves to play and has established an entertainment company as the chairman. You, a player who is theoretically better than Sicong, go to debut as an artist? The article also uses Reagan as an analogy. The president also worked as an actor. That was an actor first and then a president. That is a history of inspirational growth. The strong man first sold CDs and then JD. Com is a history of growth. Now he suddenly goes to sell CDs. I understand that Korean entertainment must have a background. But I really can't understand if you have a background in the entertainment industry and don't start a company to become a junior in someone else's company.

More than three hundred chapters, I can't catch up. There is a "watch it slowly flatten" feeling. In the early days, the imagination was online and there were occasional surprises, but recently it has become a tired repetition - the plot has become routine, the daily writing is like a running account, and it is getting harder and harder to find a sense of expectation. Understandable. After writing more than one million words in the author's first book, his inspiration was exhausted and he entered a period of burnout. This is the inevitable path for almost every long-form author. So I have nothing to criticize. I hope it can be implemented smoothly and completed smoothly. I will come back to complete the ending after finishing the book.