I Draw Monsters in Tokyo

Let's see what the hell this is, there's another comrade who's the same

First of all, the background of writing about this kind of subject is Japan, and then there are a lot of yin and yang critics. After seeing these comments, I have no desire to read it. So far, I have not seen the author's yin and yang in this background of Japan, because I have seen similar themes before. It is almost like the author has added his own hatred of Japan into it. And another thing I don't understand is why novels with this kind of theme will deliberately describe him as a bad guy? Could it be that the created monsters only kill bad people? They are too unqualified, or they are too small-minded. They are limited to the country, the family, and the human race... Why don't animals have such complex emotions like humans? Is it because they can't do it in a family or even a country? No, it's just because they don't give it such a meaning, just like we humans now have formulated various rules and laws, family, friendship, and moral cognitions, do they apply to animals? Obviously not, does it apply to them if there are aliens in the universe? It doesn't apply, why? Because they don't believe it, because we humans believe in this law and believe in all this, so we give them meaning. If no one believes in the law from this moment on, then who can the law control or restrict?

Since he is the protagonist, then the plot should revolve around him, instead of him being the [protagonist], but in turn developing the plot around this supporting role. He does not appear a few times in more than ten chapters, and even if he shows up, it is only mentioned in a few sentences. He is not as good as a supporting character. Dare to love this so-called protagonist, who is a painting machine with no emotions? Just be responsible for creating the characters, occasionally popping up to explain the settings, and then let a few characters who write supporting roles are actually the real [protagonists] start acting? Isn't that how group portraits are written? Generally speaking, the writing is okay, but the protagonist has too little sense of existence. If you say he is unimportant, you really can't do it without him, but say he is important. You haven't noticed it after a long time. It is only a few lines, and then it dives again. Then there will not even be a name in the next tens of thousands of words. The supporting characters basically have no connection with him. They have no function of connecting with the characters and jointly developing the plot. It is more like a background board. Even if you know that some guys are pretending to be the protagonist, it will be difficult to get into the play without describing them in a few sentences. Moreover, it is difficult to connect it with the name Yue Xikong. I think some people even forgot the name of the protagonist after watching it. I have almost forgotten this person, and occasionally I am stunned for a moment before I can remember who this guy is.

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The introduction clearly states that there are no monsters in this world, and the protagonist creates monsters. If there are monsters in this world, the protagonist can directly create monsters and kill monsters to make his own monsters stronger. But there are no monsters in this world, so does the protagonist have to create some monsters? Monsters kill people, and then those monsters become stronger. The protagonist then kills those monsters to obtain nutrients and cultivate monsters. However, I feel that Yuki Onna comes out a bit early. You can make some ugly monsters to kill first, preferably scum, and then Yuki Onna comes out to kill monsters. The three views follow the five senses.

Thinking of a similar novel, that one was about creating ghost stories but it was unfortunately unfinished. Author, please don't do such a stupid thing. By the way, more book friends will like boys who are cool, abstinent, talkative and cold-hearted. I hope the author will keep up his good work.

It's just that the update is too slow. I hope it will be updated soon.

Looking at the title of this book reminds me of the novel I Created Urban Legends in Tokyo, which is also about ghosts and ghosts in Japan. Unfortunately, it has been blocked.

What is written at the end, a drunkard ghost king dares to negotiate terms with the eight-meaning god? Why don't you let the ferryman take away the ghost souls? Do you really think Shuten is very strong? Wake up, the three monsters are targeting strong human beings, not gods.

I feel like the protagonist is so perverted. It's the first time I've seen such a dark protagonist. It's well written, but I don't like it. It's too dark. It's better to be brighter.