Do I Also Want to Be Controlled by Players?

My current evaluation of the protagonist is only a very stupid but very lucky Puxin man. I feel that if I kill this kind of thing, I can immediately gain the favor of heaven.

It's fun for everyone to watch, it's fun to watch, and it's nonsensical in the second dimension.

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The writing is quite good. It can be seen that the author has read many novels and played many games. It seems that he has been online for at least six years. It is so scary! ~~ The writing is very interesting, what else can I say about the entanglements between various plots, especially those set up by the protagonist? Pretty good, probably As for the plot, I can probably tell 12, I don't know if it's correct or not. The protagonist's acquisition of this game is probably closely related to the earth. When Liu Ruyan died, it was probably because the axle appeared before the vehicle. It was a bit difficult to be the king, but I guess I still had to use some strength to change something. The established character was that way. And there is Princess Freya. Gee, princesses always have stories. What a flying coin. What does your teacher say? I have a hunch that this teacher talks about running away, but in fact, why do I always feel that he is going to do something? The teacher is giving the last lesson or something, and what do you say about the dragon? This fate is, well, an axle Shocking calculation, what will this princess say in the future? In the future, because some things have to change the past and so on, and then some selfish tricks are added. And Sylvia, who has a legendary family. Author, if you want to write about a yandere, I always feel that something might happen, and this is definitely a plot against the protagonist. Good guy, that guy always does bad things with good intentions. Alas, if a drop of dust from the period falls on the protagonist, he will become a big mountain. It is said that he does bad things with good intentions, but the bad things, alas, are endured by the protagonist. He doesn't understand the human heart the most. You don't understand the human heart, but the protagonist has to bear it. It's inexplicable, it's really inexplicable, what the protagonist said when he saw it, why is Sylvia acting weird today? Of course, I'm not saying that the author's writing is incomprehensible. Don't misunderstand me. Don't use my book review to start a fight. Is the author writing about multiple female protagonists? If there are really multiple female protagonists according to the outline, the impact node of multiple female protagonists will involve a lot of plots. But it's not good to be a yandere. Although I really hate multiple female leads, it's none of my business. If there are really multiple female protagonists, I can think of the subsequent plot. Some of the key nodes cannot be bypassed. For example, the reason for liking me does not need to be written in too much detail. There is no need to write about the heart. I can only say that the plot is there. I have a hunch that Sylvia and his legendary family will have an unavoidable hurdle. If I write about the protagonist here, all I can say is oops. And the author remembers what you said, make dumplings, don't write anything. Oops, the Demon God of Order, Oops, turned into a puppet, Oops, and what about that axle and whatnot? A grand narrative will directly turn into a competition for the protagonist. Don't write this kind of thing. They got into a fight because they were competing for the lead role. I can only say that I don't know what to say. If you really wrote it like that, then it would be a mess. If you want to write about the ending of making dumplings, maybe you can start from now on. Writing about feelings does not necessarily have to be about love. You don't have to write about feelings, that is to say, just leave it blank, but the relationship between them is very, very good. It's not clear what kind of relationship it is. It looks like this. What would be best, how about writing one at the end? At the end, there is no confession of relationship or anything like that. If you don't express your feelings, don't write like this. Just write, oops, the relationship is really, really good, oops, we live together or something, oops, the relationship is really, really good, and then I won't write anymore, oops, to be continued. Write those plots directly. The plot shows that the relationship is getting better and better, but it is unclear what the relationship is. This is also a novel technique The protagonist may undergo a transformation in the subsequent plot. As for the savior, for example, so-and-so, right? Laboratory scientist Author, when you break the cycle, will you write down who has feelings for the protagonist? That's how it's written I don't know if it's good to write like this. I can only say that if the plot is different, it will naturally be different. Every novel, even if it has a similar plot, is still different. If it's different, it's different. The laboratory scientist, his sister, I can only say that it is the protagonist's problem that needs to be solved. They all belong to the protagonist, so I can't take credit for them. I can only say that I exerted a lot of effort. That's how it goes. Does every world have a substance? The church is too similar to the ability. Is the protagonist's game the original value? Why do we say that experiments are scientists? All I can say is I'm not sure which name it is? It's my first time writing a book review First of all, as for the world view, it is definitely not the protagonist. It is the world view of the world in which the game is played. Computer Hell can reflect this to a certain extent. Perhaps the earth is already connected to a certain extent with the world where we play games. It's also possible that the author didn't consider filling in the holes quickly. The protagonist also has to become a god, and what the protagonist says about that world should be rounded out for him quickly, right? He needs to be a god to round it out for him. But don't create those souls, and second-game characters like Arknights. To be honest, it's not very good. If you write like this, you will be scolded, right? It's best if the protagonist can grow and develop. If you want to fall in love, write about falling in love well, write a better one, you know? After all, the relationship between the protagonist and the heroine is really strange, the controller and the manipulated Don't write about partying or anything like that. It's time to grow up, for the sake of the soul, right? Hurry up and write about growth and growth If you want to write, write something different. Nowadays, this kind of routine writing is becoming more and more homogeneous. If you want to write, write something different. The continuation of the ending comes to the door or something. To be honest, what do you say? The protagonist had already expected it, but it was still awkward to encounter this situation, especially since they had a quarrel. What should they do? What to do? The protagonist thinks If you were to write like this, you would be at a disadvantage and grab the role of the protagonist, hehe. When you write about falling in love, you should write about it. Oh my, the relationship gradually gets better and better as we get along, but I don't know what to write. Then, we will save the world together, put the earth and the whole world together, and then change the world together. What will become better, right? Ah write and then write at the end. Create a world where the protagonist ascends to the gods, and then Zhongli and so on, the role played by the protagonist, various roles, and then how can I put it all together? In order to save the world, then sacrifice yourself or something like this. After that, it's best to write it directly into the teachings Just empty out the world and then put it together on the earth. This is how you put the three worlds together. You are already called Yuanshen, how dare you not write it? The teachings are so bold that they dare to call the soul by the same name What to say next? Gee, are you going to write seven heroines? If we write seven, what do the seven gods say? Protect the world or something Then the protagonist is one of the seven gods. There are more than seven gods. Isn't it common sense? There are many endings that can be written The first one to escape, and then live his own life, after all, he has such a sister and such parents It just so happens that we can write about the protagonist sacrificing himself to save the world. That's what the role is. As for the protagonist, he is the god-man who tells this god-man whatever he wants. The description of a position translated into Zhenger Jiu Jing, how to say it is just like the protagonist said The second ending is a happy reunion, gathering together, and successfully saving the world, then recalling all the past events, and then just write in the blank, and then to be continued There is no need to say more about feelings, but of course they are still not written clearly. Although the first one can probably be regarded as making dumplings The third ending, first of all, the heroines are really getting better and better, not because of their so-called feelings. They are getting worse and worse. They are all yandere, fighting for the protagonist, becoming enemies of each other, and even hating each other. I can only say that they are really getting better and better. I can't tell you how to read it. When it comes to falling in love, talk about it well Does it create an epic feel? It's not an epic feeling. It's like this. In the grand narrative, everyone has their own goals, and then they fight side by side with the protagonist. It's even like, or even, like, comrades on the battlefield relying on each other, like this. Then it will be a matter of course, everyone realizes their wishes and dreams, and then life gets better and better, and people's lives also get better and better. Then in a place with beautiful scenery, the protagonist and his comrades sat together and talked to each other, talking about the past, present life, future vision, etc. Then it's just unfinished to be continued There are many endings, it mainly depends on the outline. The details are actually the ending, the villains have been defeated, and the decent characters are getting better and better. After typing, the next step is the details. How to write these? That's a big problem. The villain will definitely be killed anyway. But how to write it? The author must have his own ideas Is the author's writing good? I don't know, but I think the author's writing should be very good. There are also some speculations about future plots. As the author said, some high-end combat capabilities are about to appear The protagonist is also officially revealed I suggest not to write about cooperation or anything like that, just write about your imagination. Collaboration is quite difficult to write In other words, don't write about being seen, just write about it. Oops, growing more and more. For example, the time period when controlling the protagonist happens to be unseen, or, anyway, just write the protagonist directly without being noticed. You should pay attention to this time interval. The author is writing quite well now The relationship with the heroines is getting better and better The relationship line should be written in a confusing way. Don't write directly about what kind of relationship it is. Write it in a confusing way. I have a hunch that maybe Freya's mother can be rescued What do you mean by seam in what you wrote? You can sew them all, it's a bit like some of the second games. What can I say? Characters, immortal demons, and other demons Wouldn't it be nonsense if there were no resurrection skills? How to fight? The protagonist's golden finger does not need to be the original value. Just unknown. Just leave it blank. Perhaps around Chapter 200, the relationship between Sylvia and her family will be antagonistic to a certain extent. Maybe the third heroine is in the Elf Kingdom The fourth heroine may be a survivor in the world of death, that is, a world like a dungeon. It is not that she is a survivor. It is a very strange state. Maybe it's possible to write about the heroine in reality, right? It's possible to a certain extent I think in most plots one has to hide his identity. After all, it's possible that he can't hide his identity on Earth, right? Those demons can't hide, can they? That's all? I can only beat him hard. I think I have to hide it. After all, it would be nonsense if the protagonist was caught threatening the heroines. Even when we meet at the end, we can't use our real bodies when we meet each other, right? Ah, that's it, that's all I'm writing. Can the author update hundreds of times a day? I can't sleep at night! Abstract, abstract, be abstract!

Mixed with a lot of dark content and a few bad jokes. The protagonist of the two-dimensional otaku, the two worlds merge into the world

Star God Girl Niufufufufufufu