Kyoto Kamigakure Love Story

Multiple heroines Recently I saw a book review by a guy named syj in the group, and it really touched my heart, so I applied to reprint it here. Slightly edited (blow harder) Personal evaluation: hay before chapter 80, jelly grass after chapter 80. Advantages: 1. The daily descriptions in this book are delicate, concise, and interesting, and the rivalry between the characters is very well written. Although it is set in Japan, the author controls the scenes of daily dramas and describes some realistic plots, making daily life very lifelike. 2. The characters are three-dimensional, vivid and layered. The author doesn't like to use labels to describe characters. Except for Sugawara Kyoko, the classic cold-blooded witch with a gentle heart, the other four heroines are niche characters or even none. Although this resulted in a relatively dull impression in the early stages and few memorable characters, as the author gradually uses excellent daily routines to shape the image of the heroine, and enhances the appeal of daily dramas through increasingly attractive heroines, the book becomes better and better as it goes on. 3. The portrayal of the heroine is extremely excellent. Yoshikawa Anko and Kirino Akane are the best two-dimensional novels I have ever seen on the Internet. The author uses extremely strong writing skills to make two ordinary female high school students vivid, elfin and cute. The emotional descriptions of the three main heroines are surprisingly delicate, and many dialogues and descriptions can be savored over and over again. In terms of shaping the heroine alone, this book is not inferior to previous classics. 4. The rationality of post-work is extremely high. Because of the excellent characterization and extremely detailed, realistic interactions. The emotional lines in this book feel real, beautiful, and refreshing. It is a rare masterpiece in post-gong literature. Disadvantages: The first eighty chapters were a bit boring. When the author started the book, he took the route of combining supernatural beings with daily love stories. After discovering that he could not write supernatural stories, he completely switched back to the daily love stories that he is good at from the fourth volume, and almost all the supernatural content was cut off. The fourth volume (Chapter 80) can be said to be two books in a literal sense. There are obvious differences in plot distribution, daily writing methods, and protagonist characters. The characterization in the first three volumes (before Chapter 80) was basically abandoned and turned into a large prologue describing the relationship between the characters and the main background. Thanks again to Mr. Syj for allowing me to reprint and freely modify this book review.

Recommendation index: 3 There is a little bit of the supernatural in everyday life. There are not many supernatural scenes. Legend has it that the main plot was cut because it almost failed. However, the remaining main plot is still relatively heavy, which leads to a low pressure in the whole book. The male protagonist is a classic Asasi, who can make people mad by pretending to be dead. Although, with the heroine of this book and some high-sweet daily routines, I can still get a recommendation.

[Looking confusedly] After reading a few chapters, it felt weird and not my cup of tea.

Japanese soft articles, with some elements of Japanese mythology, very worth reading