Pushing Across Mountains and Rivers Ninety Thousand Miles

When writing, you can bring history into it, make suggestions for generals, or replace them.

I endured it when I saw the first part. If you write it to perfection, then you write a great perfection at the end, I also endure it. After your great perfection, you set a limit. What do you mean? ? . . Is the consultation here? Is it circulating here? What follows is the beginning of Dzogchen, the early stage of Dzogchen, the middle stage of Dzogchen, the high stage of Dzogchen, the late stage of Dzogchen, the peak of Dzogchen, the ultimate stage of Dzogchen, the early stage of Dzogchen extreme, the middle stage of Dzogchen extreme, the late stage of Dzogchen extreme, the extreme peak stage of Dzogchen, and the ultimate stage of Dzogchen! ! Withdraw, withdraw, withdraw, withdraw, withdraw

It's too long-winded. It's either the main character's psychological activities or the main character is cheating on his friends. And it's not just a little bit, it's just a few chapters. There is no real plot at all. If the same meaning is said, he likes to change the expression and repeat it several times...

If you want to go away from the Jidao style, just give me "Dark Blue, fill me up", and you will be invincible for a year, and then open a new map. If you want the attribute panel to assist, you should write less details. Readers don't want to read nonsense. Is it possible that they can learn extraordinary martial arts from your book? This book is a novel. If you are writing a novel about martial arts, you should write about martial arts battles. Even though the dog food grandmaster of Cuttlefish is a bit messy, the focus is still on martial arts. You will dwell on most of this battle. To be honest, after reading Chapter 56, my patience has almost worn out.

I really don't know what the author is writing. This book is exactly the same as the previous one. Most of the pages are full of nonsense. They talk about various martial arts principles and various embarrassing plots, but there are not many hard truths. They are all connected together. It feels like a forced plot. There is no one page in the plot that just relies on talking nonsense, or talking about some martial arts principles, or some looking at it. I just clicked through the system panel, and there was no plot at all. Most of the stories were about the inner drama of the protagonist, which was all inner imagination. The title of the book was "Pushing Mountains and Rivers," but yours has nothing to do with pushing it. It was all about your own inner drama. I don't know why you still can't write in this style of writing, or something. After writing so many books, you haven't made any progress at all.

Are you like me? After reading a few chapters, you feel that there is too much nonsense and you can't stand it anymore.

The protagonist has been licking the dog for three years and Wang Yiyun awakens. Su Hui and Pan Pan start practicing martial arts, but another Goddess Qin shows up. . . . So poisonous

I watched more than a dozen of them, all of which were about the inner drama of the protagonist, or else they were awkward conversations with others. Too dissuasive

I have a suggestion, the following can be the beginning of Dzogchen, the early stage of Dzogchen, the middle stage of Dzogchen, the high stage of Dzogchen, the late stage of Dzogchen, the peak stage of Dzogchen, the ultimate stage of Dzogchen, the early stage of extreme stage of Dzogchen, the middle stage of extreme stage of Dzogchen, the late stage of extreme stage of Dzogchen, the stage of extreme peak stage of Dzogchen, and the ultimate stage of Dzogchen.

Does the author have a single heroine in this article?