
My Life is Like Walking on Thin Ice
About This Novel
Being a prince is truly the most difficult profession in the world. Perhaps a young master, Fusu, was harmed by treacherous eunuchs and sycophants; There may be a violent prince who is estranged from his father. There is no one like Liu Rong, the crown prince of Emperor Jing of Han Dynasty, who was so badly injured by the most beautiful woman that he could not die a good death. "My whole life, I have been walking on thin ice." "Do you think I can make it to the other side?" Regarding the problem of his eldest brother Liu Rong, Liu Che, the king of Jiaodong in the Han Dynasty, was very active. "Brother, it's me! I can walk to the other side!" Liu Rong's mouth twitched and he turned away without leaving a trace. "I know, let's go play." Ps: There is a new pit in the old gun, and there will be a guaranteed update of 10,000 words per day after it is put on the shelves. Updates are guaranteed, so you can read it with confidence. Readership: 361932529
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Official(45)Scraped 2d ago
I almost never write reviews. What seemed like a good book at the beginning became more and more unbearable. I just couldn't help it. Let's talk about the advantages first. For historical books, the research is rigorous and the author is really attentive. The characters' IQs are online. Especially the sensational parts are very reasonable. The most rare thing is that the sensational writing is good and not offensive. Then came the question, which became more and more wordy, with a long paragraph of explanations and psychological descriptions on the side. When it comes to explanations of historical events, it's almost the same. When a character says a dozen words in a sentence, he has to write hundreds of words to explain why he said that. One chapter is simplified to just two lines of dialogue, and there is almost no plot advancement. It's too long-winded and cumbersome. The author doesn't need to treat readers as elementary school students who don't understand anything. If you write normally and someone doesn't understand it, just read the comments. If you don't understand what it means, there is something wrong with the logic of the writing. Writing a long paragraph to explain it is like an old witch putting on heavy makeup. It doesn't look good in the first place and makes it even more disgusting. I gave it one star because this question is so disgusting that I can't read the book anymore. The author of the one-star review should probably take a look at it. If you see it, tell me and I will delete the review. The less serious problem is the public face. All the characters' dialogues are hesitant and have the same tone and language habits. All the characters are "walking on thin ice" and their personality traits are gone.
In fact, the writing style is okay, but the problem becomes bigger towards the end. In the back of Tai Shui, the cultural and historical background alone accounts for more than 90% of the chapter. When we read the novel, we are not looking at the historical background, but at the changes in history. You don't have much dialogue and progress, but the historical background, character backgrounds account for a lot, and they are talked about over and over again. It takes ten sentences to explain why you say what you say and what the background is. It's too confusing. Later, it looks like there are a lot of words, but the actual progress is very small.
The first part is OK, but the second part is not recommended. A page with several thousand words, if 100 words are useful, is a compliment to the author.
Nice writing, but not my cup of tea
First of all, let me talk about the writing style of this book. The plot is not too faulty as long as it is acceptable. It is a good book. I write about my personal feelings that do not involve the plot. I abandoned the book after reading Chapter 171 because I personally cannot accept the depressiveness and restraint of the plot in the novel. From my point of view, the key point of oppression and restraint is imposed by the author. It is unnatural and awkward. Although the plot has been developing in a direction that is good for the protagonist, it is just frustrating and uncomfortable to watch. So if you like to watch dancing in shackles, you can try it.
I have worked hard all my life, do you think I can have a car and a house?
I saw Chapter 41 saying that heavy industry was to be developed in the Han Dynasty. Do you think it is possible? Unless your descendants are all scientific time travellers, how many years can you stay in power? It is better to develop light industry step by step first so that people across the country can have food, food, and clothing.
It's very immersive in the early stages, and even if the atmosphere is depressing, it makes people want to keep watching. However, after the battle, the writing drags on, and most of the content is about the background of the times, which is simply stinky and long.
Well, the right time and place, standing in front of you, just because my mother can't become a prince? Then let's see, the second generation of this country will be in chaos, okay? As long as you don't rebel, you are the prince, just do your own thing. The free chapter is still working hard for the prince, and I am speechless.
The recent chapter was too long-winded. Che Zhuglun was talking back and forth, and two sentences were expanded into one chapter.
The latest chapter has too much text and no real battle content at all.
Rating
Community(0)
Official(45)Scraped 2d ago
I almost never write reviews. What seemed like a good book at the beginning became more and more unbearable. I just couldn't help it. Let's talk about the advantages first. For historical books, the research is rigorous and the author is really attentive. The characters' IQs are online. Especially the sensational parts are very reasonable. The most rare thing is that the sensational writing is good and not offensive. Then came the question, which became more and more wordy, with a long paragraph of explanations and psychological descriptions on the side. When it comes to explanations of historical events, it's almost the same. When a character says a dozen words in a sentence, he has to write hundreds of words to explain why he said that. One chapter is simplified to just two lines of dialogue, and there is almost no plot advancement. It's too long-winded and cumbersome. The author doesn't need to treat readers as elementary school students who don't understand anything. If you write normally and someone doesn't understand it, just read the comments. If you don't understand what it means, there is something wrong with the logic of the writing. Writing a long paragraph to explain it is like an old witch putting on heavy makeup. It doesn't look good in the first place and makes it even more disgusting. I gave it one star because this question is so disgusting that I can't read the book anymore. The author of the one-star review should probably take a look at it. If you see it, tell me and I will delete the review. The less serious problem is the public face. All the characters' dialogues are hesitant and have the same tone and language habits. All the characters are "walking on thin ice" and their personality traits are gone.
In fact, the writing style is okay, but the problem becomes bigger towards the end. In the back of Tai Shui, the cultural and historical background alone accounts for more than 90% of the chapter. When we read the novel, we are not looking at the historical background, but at the changes in history. You don't have much dialogue and progress, but the historical background, character backgrounds account for a lot, and they are talked about over and over again. It takes ten sentences to explain why you say what you say and what the background is. It's too confusing. Later, it looks like there are a lot of words, but the actual progress is very small.
The first part is OK, but the second part is not recommended. A page with several thousand words, if 100 words are useful, is a compliment to the author.
Nice writing, but not my cup of tea
First of all, let me talk about the writing style of this book. The plot is not too faulty as long as it is acceptable. It is a good book. I write about my personal feelings that do not involve the plot. I abandoned the book after reading Chapter 171 because I personally cannot accept the depressiveness and restraint of the plot in the novel. From my point of view, the key point of oppression and restraint is imposed by the author. It is unnatural and awkward. Although the plot has been developing in a direction that is good for the protagonist, it is just frustrating and uncomfortable to watch. So if you like to watch dancing in shackles, you can try it.
I have worked hard all my life, do you think I can have a car and a house?
I saw Chapter 41 saying that heavy industry was to be developed in the Han Dynasty. Do you think it is possible? Unless your descendants are all scientific time travellers, how many years can you stay in power? It is better to develop light industry step by step first so that people across the country can have food, food, and clothing.
It's very immersive in the early stages, and even if the atmosphere is depressing, it makes people want to keep watching. However, after the battle, the writing drags on, and most of the content is about the background of the times, which is simply stinky and long.
Well, the right time and place, standing in front of you, just because my mother can't become a prince? Then let's see, the second generation of this country will be in chaos, okay? As long as you don't rebel, you are the prince, just do your own thing. The free chapter is still working hard for the prince, and I am speechless.
The recent chapter was too long-winded. Che Zhuglun was talking back and forth, and two sentences were expanded into one chapter.
The latest chapter has too much text and no real battle content at all.
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Official(15)
Time travel, strategy, wits, emperor flow.




Well written Tags: Machiavellian strategy, emperor style, battle of wits, calmness, prince Introduction: The crown prince is truly the most difficult profession in the world. Perhaps a young master, Fusu, was harmed by treacherous eunuchs and sycophants; There may be a violent prince who is estranged from his father. There is no one like Liu Rong, the crown prince of Emperor Jing of Han Dynasty, who was so badly injured by the most beautiful woman that he could not die a good death. "My whole life, I have been walking on thin ice." "Do you think I can make it to the other side?" Regarding the problem of his eldest brother Liu Rong, Liu Che, the king of Jiaodong in the Han Dynasty, was very active. "Brother, me! I can walk to the other side! " Liu Rong's mouth twitched and he turned away without leaving a trace. "I know, let's go play."




Recommended by a friend, after reading the public chapter




The subscription ratio is 5.1, Which is a bit scary to be honest. The first order is 10,000+, but the average order is 7,000. It's definitely a good first order. The writing is good, but when I saw some people saying it was comparable to the new series in July, I personally felt it was still a few levels behind. The author is more active and likes to interact with readers. In the autumn of the seventh year of Emperor Wen of the Han Dynasty, Changle Palace in Chang'an held a celebration to mark the end of the national mourning. Empress Dowager Dou and her daughter Liu Piao cried in the palace about the eldest son's unmarriage. As the eldest son of the emperor, Liu Rong tried his best to appease the two, but Empress Dowager Dou was angry at her son's behavior. She decided to personally intervene and said that even if Li Ji didn't like Liu's prostitution, she could not stop her from becoming the wife of the emperor's eldest son. After leaving Changle Palace, Liu Rong felt heavy-hearted. Princess Liu of Guantao came to propose marriage and wanted to marry her daughter to Liu Rong, but was kicked out by Li Ji. Liu's prostitution cried out to Empress Dowager Dou, which led to a conflict between Empress Dowager Dou and Li Ji. Liu Rong felt helpless about his mother's behavior, but still tried his best to comfort her. In the eyes of his mother Li Ji, Liu Rong seemed to have become the future prince, but Liu Rong emphasized that he had not yet become the prince, and Li Ji was not yet the queen. He blamed his mother's jealous behavior for getting them into trouble. Being a prince is truly the most difficult profession in the world. Perhaps a young master, Fusu, was harmed by treacherous eunuchs and sycophants; There may be a violent prince who is estranged from his father. There is no one like Liu Rong, the crown prince of Emperor Jing of Han Dynasty, who was so badly injured by the most beautiful woman that he could not die a good death. "My whole life, I have been walking on thin ice." "Do you think I can make it to the other side?" Regarding the problem of his eldest brother Liu Rong, Liu Che, the king of Jiaodong in the Han Dynasty, was very active. "Brother, it's me! I can walk to the other side!" Liu Rong's mouth twitched and he turned away without leaving a trace. "I know, let's go play."













