
Actor: Thank You
About This Novel
There is a legend in the Chinese entertainment industry that if you have any difficulties, go to Brother Yuan. Wang Baoqiang: Without Brother Yuan, I wouldn't be where I am today. Huang Bo: After I became famous, I was surrounded by good people, but before I became famous, there was only one good person around me, Zhang Yuan. Shen Teng: I don't pretend anymore, I show my cards, and my success all depends on Brother Yuan. Guo Fan: If it weren't for Brother Yuan, then I would just be wandering without the earth. ... In 2002, Zhang Yuan brought the Gratitude System to this entertainment holy land that was about to take off...
What Readers Think
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Official(45)Scraped 2d ago
Entertainment novels make me feel like I don't love money
There is no point in reading a novel without money. Although you are an entertainment novel, you are a reborn person who has made money and does not invest in those penny stocks. It looks fake. No matter who doesn't love money.
There are too many chapters to shoot a movie. If it exceeds 4 chapters, it will be too long. The two or three famous scenes in the movie are shot and then completed, and then there are promotions, questions from reporters, and awards on the red carpet at the screening. You can write more about life, and you don't have to be so careful when shooting.
It's not completely satisfying, and I always feel like I'm begging with a golden rice bowl.
A novel about going to the entertainment industry with such a powerful cheat and being a kid and growing up slowly.
After reading Chapter 160, the pace is quite slow. A man with a system, who has acting talent, directing talent, martial arts and other skills related to acting and directing, is still running around in TV drama crews, playing supporting roles, and getting low pay. It feels like he has lived a whole life in vain, and he also has a skill system in vain. However, if you like the daily life of the crew, this is also a good book. There is no skipping over the daily filming of the plot. I feel that it is a little healing to review the order of film and television dramas during that period. . I've read too many fast-paced books, but occasionally reading slow-paced ones is also an option to cope with the book shortage.
It has been more than 400 chapters, and the protagonist is still struggling to survive. He shows his face here, knows someone there, but hangs around like a bean sprout. He needs capital but no capital, he needs connections but no connections, he needs no background, and he is not qualified to eat at the table. He can only act. The author has been doing this for hundreds of chapters. How many "big resentment" readers have to be deceived?
Chapter 300 is still on line 18,
Chapter 300 is not a good place for time travel, so what's the use of the system?
It was quite interesting at first, but Coal Boss and the copyright of Legend of Sword and Fairy were tied up. I thought I had something new to watch, but after reading more than a hundred chapters, I was still messing around. I wiped out the Rebirth Prophet and added system attributes, so I could only play Yang Guo by using dirty tricks to sow discord. I was still selling box lunches, and there were so many supporting roles in the future. You are so petty, you don't just make movies, you just want to set up a TV production company. Do you think Sugarman can surpass him? It is true that film and television production has a strong quality, but if you are making money in the TV industry, won't it be the same when the film market expands? At first I thought it was awesome, but after 600 chapters, I saw that I was still playing a supporting role. I didn't feel any sense of style and I was almost confused. It's okay if you love acting, but it's not okay if you act by yourself. If you love to improve your attributes, it's okay. If you just try to improve everyone's attributes, they won't rise. There are only three hundred chapters at most that you can read, and the rest will be completely streamlined. Are you capable of writing about so many women? Can you afford the protection?
Four points for no cross talk, rebirth, almost no capital layout, a bunch of cross talk, Baihoumen and Guo Degang mixed together, it is embarrassing. After I was reborn, I only wanted to gain fame in the cross talk circle, just like the reputation behind Hou Yaohua. Let alone Hou Laosan, I wouldn't even accept Hou Baolin as my teacher, let alone go and become his teacher. Don't know what to think.
The advantages are humorous and the writing is okay, but the disadvantages are also obvious. The progress is slow. I have filmed about 10 TV series and movies, and basically none of them have been broadcast except for "The Conquest of Kalami". They all have more than 300 chapters. After setting up a lot of plots and hundreds of chapters, I didn't make any money. I didn't turn into a director, and I didn't become a capital.
The pacing is too slow. Even after more than 700 chapters, Huayi can correct them. They are all reborn without investment. They are just acting, and there is that idiot cross talk. Why do you have such a good relationship with them? It's too ink.
Rating
Community(0)
Official(45)Scraped 2d ago
Entertainment novels make me feel like I don't love money
There is no point in reading a novel without money. Although you are an entertainment novel, you are a reborn person who has made money and does not invest in those penny stocks. It looks fake. No matter who doesn't love money.
There are too many chapters to shoot a movie. If it exceeds 4 chapters, it will be too long. The two or three famous scenes in the movie are shot and then completed, and then there are promotions, questions from reporters, and awards on the red carpet at the screening. You can write more about life, and you don't have to be so careful when shooting.
It's not completely satisfying, and I always feel like I'm begging with a golden rice bowl.
A novel about going to the entertainment industry with such a powerful cheat and being a kid and growing up slowly.
After reading Chapter 160, the pace is quite slow. A man with a system, who has acting talent, directing talent, martial arts and other skills related to acting and directing, is still running around in TV drama crews, playing supporting roles, and getting low pay. It feels like he has lived a whole life in vain, and he also has a skill system in vain. However, if you like the daily life of the crew, this is also a good book. There is no skipping over the daily filming of the plot. I feel that it is a little healing to review the order of film and television dramas during that period. . I've read too many fast-paced books, but occasionally reading slow-paced ones is also an option to cope with the book shortage.
It has been more than 400 chapters, and the protagonist is still struggling to survive. He shows his face here, knows someone there, but hangs around like a bean sprout. He needs capital but no capital, he needs connections but no connections, he needs no background, and he is not qualified to eat at the table. He can only act. The author has been doing this for hundreds of chapters. How many "big resentment" readers have to be deceived?
Chapter 300 is still on line 18,
Chapter 300 is not a good place for time travel, so what's the use of the system?
It was quite interesting at first, but Coal Boss and the copyright of Legend of Sword and Fairy were tied up. I thought I had something new to watch, but after reading more than a hundred chapters, I was still messing around. I wiped out the Rebirth Prophet and added system attributes, so I could only play Yang Guo by using dirty tricks to sow discord. I was still selling box lunches, and there were so many supporting roles in the future. You are so petty, you don't just make movies, you just want to set up a TV production company. Do you think Sugarman can surpass him? It is true that film and television production has a strong quality, but if you are making money in the TV industry, won't it be the same when the film market expands? At first I thought it was awesome, but after 600 chapters, I saw that I was still playing a supporting role. I didn't feel any sense of style and I was almost confused. It's okay if you love acting, but it's not okay if you act by yourself. If you love to improve your attributes, it's okay. If you just try to improve everyone's attributes, they won't rise. There are only three hundred chapters at most that you can read, and the rest will be completely streamlined. Are you capable of writing about so many women? Can you afford the protection?
Four points for no cross talk, rebirth, almost no capital layout, a bunch of cross talk, Baihoumen and Guo Degang mixed together, it is embarrassing. After I was reborn, I only wanted to gain fame in the cross talk circle, just like the reputation behind Hou Yaohua. Let alone Hou Laosan, I wouldn't even accept Hou Baolin as my teacher, let alone go and become his teacher. Don't know what to think.
The advantages are humorous and the writing is okay, but the disadvantages are also obvious. The progress is slow. I have filmed about 10 TV series and movies, and basically none of them have been broadcast except for "The Conquest of Kalami". They all have more than 300 chapters. After setting up a lot of plots and hundreds of chapters, I didn't make any money. I didn't turn into a director, and I didn't become a capital.
The pacing is too slow. Even after more than 700 chapters, Huayi can correct them. They are all reborn without investment. They are just acting, and there is that idiot cross talk. Why do you have such a good relationship with them? It's too ink.













