The City God is Above
by A Ppp
About This Novel
Chen Huang came into contact with a game called "Yin Lord" and became the wild city god in the game. It turned out that the game can actually affect reality. But faced with such a huge temptation, Chen Huang's heart didn't waver at all - he couldn't move at all. Although he became a wild city god, he had no incense and only a weak divine power, and was trapped on the statue. He can only passively wait for the believers in the game to make wishes, and try his best to fulfill the wishes of the believers in order to survive. Until one day, a wish that does not belong to the game world appears. ---- "Your Majesty, City God, please save my sister, I am willing to pay any price!"
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Official(1)Scraped 29d ago
About the little girl and plot development
The reason why I wrote about a little girl was purely because I needed an anchor point. According to my setting, the protagonist needs to develop offline, so he must have subordinates offline, and this will inevitably involve an issue, the identity of the protagonist. (This is also the reason why many people don't like little girls) But I must say that even according to my original outline design, the little girl was purely used to tie up the protagonist's men. Because the protagonist saved the little girl as the city god, her sister was willing to do things for the protagonist without reservation. I have always mentioned this later. Even in the original outline, the little girl had no plot and was just a plot character in her own right. When I first wrote this, some readers raised their opinions, so I fine-tuned the subsequent plot. The little girl basically never went online, but only used this to strengthen her loyalty to the protagonist when the squad leader acted. Of course, readers will misunderstand that this is a question of poor writing on my part, because the original intention was to show the innocence and ignorance of the little girl who knew nothing, but I did not present this point in advance, causing the readers to see what the little girl said first. But now I have completely changed the plot so that this situation no longer happens. I believe that most of you are readers of lay masters, and I am also a reader of lay masters. Although the writing is not good, I will definitely not make the mistake of exposing the identity of the protagonist. Regardless of the plot I have written now or the outline I will outline later, it is absolutely, absolutely, absolutely impossible for the protagonist to reveal his identity! ! ! The whole point of it is its wretched development, how could I possibly sacrifice the good and the bad? Anyone who appears next to the protagonist and comes into contact with the identity of the City God has multiple insurances - life-saving grace, loyal believers, and the protagonist's deliberate concealment. The minimum is these three layers of protection.
Rating
Community(0)
Official(1)Scraped 29d ago
About the little girl and plot development
The reason why I wrote about a little girl was purely because I needed an anchor point. According to my setting, the protagonist needs to develop offline, so he must have subordinates offline, and this will inevitably involve an issue, the identity of the protagonist. (This is also the reason why many people don't like little girls) But I must say that even according to my original outline design, the little girl was purely used to tie up the protagonist's men. Because the protagonist saved the little girl as the city god, her sister was willing to do things for the protagonist without reservation. I have always mentioned this later. Even in the original outline, the little girl had no plot and was just a plot character in her own right. When I first wrote this, some readers raised their opinions, so I fine-tuned the subsequent plot. The little girl basically never went online, but only used this to strengthen her loyalty to the protagonist when the squad leader acted. Of course, readers will misunderstand that this is a question of poor writing on my part, because the original intention was to show the innocence and ignorance of the little girl who knew nothing, but I did not present this point in advance, causing the readers to see what the little girl said first. But now I have completely changed the plot so that this situation no longer happens. I believe that most of you are readers of lay masters, and I am also a reader of lay masters. Although the writing is not good, I will definitely not make the mistake of exposing the identity of the protagonist. Regardless of the plot I have written now or the outline I will outline later, it is absolutely, absolutely, absolutely impossible for the protagonist to reveal his identity! ! ! The whole point of it is its wretched development, how could I possibly sacrifice the good and the bad? Anyone who appears next to the protagonist and comes into contact with the identity of the City God has multiple insurances - life-saving grace, loyal believers, and the protagonist's deliberate concealment. The minimum is these three layers of protection.
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