Hong Kong Entertainment Started in 1991

Hong Kong Entertainment Started in 1991

by Mr. Huangshan

Length:
220Kwords106chapters
Latest:
Ch. 106Check into the Villa
Activity:
Updated 4y agoScraped 27d ago
3Comments
371Favorites
46Fans
0QD Score

About This Novel

In an accident, Li Jiajun, who was studying directing, was reborn in Hong Kong Island in 1991. Making movies and releasing records? This is all trivial! What Li Jiajun wants to do is to become a Hong Kong tycoon!

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Official(4)Scraped 2mo ago

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Dancing Rain and Orange Wind_ae54mo ago

Hong Kong Entertainment started in 1991

There are many Taiwanese who invest in Hong Kong films. They don't care about the quality of the script. They only know how to spend money to find big stars and add directors. They are responsible for the rampant bad films in Hong Kong. The producers (Hong Kong film companies) used their big names to increase their share of the revenue; Taiwanese cinemas did not show Hong Kong films, and the Taiwanese government happened to introduce Hollywood blockbusters, so the Taiwanese market was lost. Later, Hollywood blockbusters were also extremely expensive to buy, but his films could not be found in Taiwanese cinemas.

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Book Friends 20231027845_ad7mo ago

It's so bad. Oh my god, I'm so fascinated by this episode.

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US
User 53010065938554mo ago

💦💦💦💦💦

Entering the palace! ! ! ! !

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Crystal-pan Shaoqin1mo ago

No rating yet

As soon as I see this kind of film that promotes Hong Kong stars, those who promote Hong Kong stars don't want to watch it. Not to mention that Mae has been eliminated for a long time. Even in the early days, how many people in the industry can look up to practitioners in Hong Kong? There is no way to cooperate. The comprehensive environment is not good, so we have to let people in. Do you really think those people above are fools? I really don't understand that some people always take Hong Kong and Hong Kong artists so seriously and praise them so highly. Do you really think it's like that? Are Hong Kong artists dedicated? That was because I was stuck with a contract, forced by life, threatened by black society, and salty and wet films were waiting for me. I had to work hard and be dedicated on a serious set, otherwise you can see what happens next. Do you really think Hong Kong directors are good? Like the King of Sunglasses? Will he make movies? Do you know the director? Not to mention how high the number of NGs is and how long the shooting time is. If the actor NGs over and over again until the director gets the effect he wants, does he know how to direct? That's what actors can do. A real director will clearly tell the actor what I want and how to achieve the effect I want, and then the actor will present him according to the clear instructions, instead of the actor's common sense countless times, and then the sunglasses king says this is the effect I want.

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