Qingdu Fairyland

Sorry, I have to say a few more words here. Some book friends don't want to see the male protagonist, and some book friends want to ask if the male protagonist is pure. Regarding the issue of the male protagonist, Ke Yuyu wants to explain that this is not a romance novel, but it does not exclude natural feelings. It is unrealistic to fall in love at first sight and then be committed to it for life. It is also unrealistic to hate men and decide to be celibate from the beginning. If there is emotion, it will not be a sweet pet article, a CEO article, or a sadomasochism article, where you will know the routine and the result when you read the beginning. This is a coming-of-age story for the heroine. We cannot plan her long life ahead when she is only a teenager. There are many scenery on the unknown journey, and there will also be companions. If you don't go and give it a try, how can you become a person with a rich heart? The heroine doesn't know how to fall in love, and she won't lose herself in order to win the favor of men, but everyone can see her beauty, and she can't stop others from admiring and admiring her. Only after experiencing it can you know whether you want it and what is suitable for you. Whether the heroine chooses to travel together or to be alone depends on the development of the plot and must be logically consistent. We can't let her say when she is still ignorant and unknown, I don't want a male lead, men are trash. This is not true or believable. Only after you have smelled a flower do you know its fragrance. After taking a sip of medicine, you realize how bitter it is. Only after you fall do you realize the pain and how to walk the right way. Unless the heroine always lives in a vacuum environment, there will be no emotional fluctuations and growth. It is not a programmed robot that will discard possibilities you don't want to see at the beginning. Therefore, let the heroine experience it, and don't deprive her of the right to choose and grow.

It's mainly about the heroine's growth! In the future, there will be companions appearing on the road of growth, and the kind of walking side by side will have sweet parts, but it is not a romance that mainly focuses on love. In fact, it is not that important whether there is a male protagonist or not. Every girl will have her heartbeat when she grows up, and there will be someone who will be moved by her, but this does not represent her entire life. Yes, I am happy, but if I don't, I won't feel sorry for myself. Her beauty does not bloom for someone.

Historically, the youngest daughter of Empress Wende's eldest grandson was Princess Hengshan (titled Princess Xincheng during Li Zhi's period). However, this princess was so favored by Li Shimin that she died tragically. However, this princess is really favored to a degree that is not comparable to that of other princesses, not even some princes. Not only did Li Shimin dote on her, her brother Tang Gaozong Li Zhi doted on her even more. After her death, she was buried with the honors of a queen. She was the only one in the entire Tang Dynasty. Even Wu Zetian's Princess Taiping did not receive such treatment.

Some book friends squatted on Orange and asked this question: Since both men and women can cultivate immortality, is it still necessary to marry in marriage? After all, this word has a hidden subordination, or the marriage is not one-sided only for women, but for both men, it is consistent with a world of relative gender balance. The author said: Thanks to Guukeng Orange for raising this issue of equal rights. I have actually considered that since both men and women are qualified and capable of cultivating immortals, and can earn status and control their lives based on their abilities, should we have female deities or be completely equal? But at the moment, it seems difficult to break out of the rut. After all, in today's modern society where we call for gender equality and respect for women, there are still many inequalities brought about by traditional consciousness, and this situation will last for a long time. In the author's framework, cultivating immortals is just like today's study and work. There is indeed no distinction between men and women. However, due to differences in nature and long-term social foundation, women are actually still in a relatively weak position. From power to the world's perspective, there will be overt discrimination and unconscious neglect. Therefore, in this book there will be women who strive for self-improvement, and there will also be women who are complacent after marrying a high-ranking person; there will be women who show weakness to win the sympathy of the opposite sex, and there will also be women who are chic and neat and not interested in love. Of course, there will also be equal emotional exchanges, corresponding giving and taking, and there will also be efforts and self-rescue in vulnerable situations. Thank you for your attention!

I am uneducated and cannot understand too much. I feel numb when I think about how the ancients spoke. An article written by the ancients can be summarized in one sentence or countless words, which makes me even more numb. At least when I read Chapter 10, it can be summarized as a god who cultivates immortality. The soul exists attached to the lotus seed, and then the lotus seed grows and bears fruit. After eating it, you get a girl. After that, the heroine comes from the world of immortality. To be honest, this is the content of the ten chapters, but what is written in it, I, an uneducated person, can't understand it.

The human spirit is constantly growing, and everyone is born with flaws and deficiencies. There are also some characteristics that would be irrelevant to that place and that person at that time, but in the eyes of readers, they are unacceptable. I don't like her handling it this way. What do I think she should do? Oh, it makes me so angry. It's so annoying... This is because you have a God's perspective, and the heroine is in this mountain, so she cannot jump out and look down at the overall situation. We have all been indecisive, hesitant, overwhelmed, confused and even confused, and naturally the heroine will be there too. She is not a born immortal, without the training and reflection of rebirth and luck again, without the prophets and golden fingers of time travel, who can perfectly and decisively kill everyone in their teenage years? If you want the perfect heroine, please avoid this. If you want the perfect heroine, please avoid this. If you want the perfect heroine, please avoid this. The heroine is not a replica of the perfect image in many online articles. The author does not write to create an image of a protagonist that everyone loves, although this may lead to more love and less criticism. This is a serious drama, that is, a tragicomedy. The author will present a complete worldly life and normal logical joys and sorrows. Then, thank you for your likes, and thank you for your dislikes, for letting me see the diversity of this world - cultures are like this, creatures are diverse, and people's spiritual perceptions are also diverse. It doesn't matter, you like it or not, but it's normal. The differences or agreement between you and me are also normal.

Is Xiaojiu the next person to ascend? ? Isn't there anyone who ascended before Xiaojiu? ?

In fact, Shou Xuan and You Tuo are just a true friendship between children and childhood sweethearts. They don't have any charming thoughts. There are not so many grown men and women worrying about "jealousy" and other messy thoughts. However, Shouxuan instinctively felt that it would not be a very honorable thing for Youji to know that he had been so close to Leng Yue before!

This is not a romance novel. This is the fairy tale written by the author Mu Huanzhu Louzhu and other predecessors. He followed it all the way and incorporated it into the logical world he built. If you have read the Shushan Swordsman Legend and other sources, you should know that although Li Yingqiong and other three heroes and two clouds are the protagonists in the book, the development of side characters is not ignored. I think the most remarkable thing about Huanzhu Louzhu is not only that he created a beautiful and mysterious world of immortals, but also that he is a rare writer in a century who writes from the perspective of "her". The characters in his novels do not cling to anyone just because they are female, with the goal of winning a man's love at first sight and lifelong love. A daughter is more intelligent and intelligent than a man. Her achievements have nothing to do with her feelings and have nothing to do with him. In that era, this sense of equality naturally revealed between the lines was more touching than the loud slogans of equality. Today, even many female authors and readers subconsciously write and read books from the "other" perspective. Even the popular "big heroines" are actually always dominated by men. When a girl is teased at a class reunion and cannot find a boyfriend, the bully will always come to the rescue in time; when a girl falls down the stairs, a handsome boy will hug her in time; when faced with campus bullying, a top male student will lend a helping hand in time; when a family goes bankrupt, and a daughter in distress needs the help of a rich and talented opposite sex to get back on her feet; even when a scumbag gets divorced, a divorced woman will win by finding a new partner such as a puppy who only loves her sister or an old classmate who has been with her for many years. The standard for girls to grow up is to gain social approval from men by default. The author has no intention to oppose this value society, nor does he want to go to the other extreme of writing without a male protagonist. But the author just wants to write a fairy tale that is neutral and not centered on love. Like the fairy tale world of Huanzhu Louzhu, they are intelligent, naive, thoughtful, calculating, and courageous. They explore, grow, struggle, and struggle. They win the respect of their colleagues with their own efforts. Just like today's society, "they" see "them" with a worldly perspective, such as treating them as objects of curiosity or Gillian in the golden house, which will also give rise to love, affection, contempt, and prejudice. However, through their own efforts, "they" will become "them"'s partners in cooperation, friends they can respect, and even strong people who need to look up to. Therefore, if you ask the author using the generic "male protagonist", it is really difficult for the author to answer, so some readers think that my answer is vague and unclear, maybe because the perspective is different. I don't really like to give the term "male protagonist". By "male protagonist", do you mean the opposite-sex partner who matches the female protagonist? I think so. The male protagonist I think of is probably different from the male protagonist you are asking about. So it was difficult for me to answer. The male protagonist, as the name suggests, should be the male protagonist of the book. Since this is not a romance novel, the male protagonist should not necessarily be the female protagonist's partner. The biggest male protagonist should of course be Ling Yan. Although he died in the Shaoqing Mountain disaster, this story came because of him and he never left. His teachings, kindness, and influence continue throughout the book. There are also six brothers of the heroine, who are also very important people to the heroine and are the main characters in the book. The heroine will have a partner of the opposite sex to go hand in hand with, but this is only one aspect of her long career, not the most important thing to her. This book is more about her growth, the difficulties she encountered, and the wisdom and courage she inspired. Therefore, if there are book friends who must define it as the "male protagonist", I will make it clear that she will meet him in a long time, when she is sure that she can go with him. But there will be no sweet pets, no love for each other, no time to talk about love, only a tacit understanding of looking at each other and smiling. If I had to give a specific model, it would be like Jiu Mei and Liu Xing in TVB's "Yi Hai Hao Qing". They don't even have sweet words, let alone sadomasochism, but you know, I know, they are happy with each other, and that's it. In addition, I recommend you to see two exhibitions, which look at the life of a woman from a "her" perspective, which can serve as a footnote to my article. The majestic "Queen, Mother, Female General" in the Capital Museum is about the glorious and rich life of the concubine of the Shang Queen. From the perspective of "her", Shang King Wu Ding is just her background and an arc in her life. Small ones such as "Yunze Fangyun Homespun Cloth Exhibition - Women and Textiles: Life Stories of Traditional Chinese Ordinary Housewives" by the Institute of Intangible Cultural Heritage of East China Normal University are also from a "her" perspective. Through the individual narratives of ordinary rural women, the four steps of "daughter", "marriage", "mother" and "inheritance" are presented. Her husband and son are just an experience in her life. What we see is a complete personal life history. Thank you all!

The writing style is quite good, relatively average, and it should be regarded as a more realistic fairy tale novel. I don't know why the characters here give me a feeling of grandeur and stinginess.