Douluo, Starting from Exchanging Bodies with Jiang Nannan

Dear friends, this book is about to start testing the waters. Please give me monthly votes and recommendation votes. Please, I will do anything.

As long as the content of the first chapter is about Jiang Nannan and Xu Sanshi making exchanges during the transaction, this book will not only have such a little popularity!

I just want to ask, will this body swap help the protagonist? The protagonist's martial spirit looks stronger than other people's martial spirits, right? It gives me the feeling that the protagonist helps others practice, but it doesn't seem to be of any help to the protagonist, especially in terms of strength. Could it be that it helps when looking for a woman? ?

Goldfinger is so useless, and body swapping is not helpful.

Keep it on your bookshelf for now and update it more often!

In fact, I feel that the single-woman Jiang Nannan is pretty good... It won't be a bad idea to let Jiang Nan evolve to the dragon clan in the later stage. No matter how many female leads swap bodies, it's a bit disgusting no matter how you look at it.

Don't change it back, don't change it back

Let me tell you something here, the heroine must have Jiang Nannan. As for multiple heroines or single heroine~ After switching back with Jiang Nannan, she will also switch with other female characters. Otherwise, this book will not be long at all. It depends on whether you can accept the female characters who change bodies later.

The subject matter is very new, so cheers for the author!

In the Douluo Continent, where fan creations have long been overwhelming, all kinds of routines have been written. The time traveler wakes up and finds that he is a waste; the sky-dropped system delivers crazy output; he starts from scratch and counterattacks with a slap in the face... Readers are already familiar with this formula. In such a red sea that is almost purple, "Douluo, Starting from Swapping Bodies with Jiang Nannan" makes people's eyes shine because it chooses an extremely rare or even unique cutaway among Douluo fans - body swapping. The reader is caught off guard from the very beginning of the story. The protagonist Lu Chen traveled to Douluo Continent. He was originally an ordinary student with ideals at the Sun Moon Royal Soul Master Academy. The martial soul Rotom only wanted to establish himself on campus, enter Mingde Hall as a researcher, and live a stable life that he had dreamed of in his previous life. However, a trick of fate struck suddenly - one day he woke up and turned into a girl, and his soul resided in Jiang Nannan's body. In short, this is a story about a time traveler who discovers that he has inexplicably turned into a girl after traveling through time. This setting itself naturally has strong topicality and dramatic tension. What is even more noteworthy is that fans usually tend to use common narrative narratives such as "saving Jiang Nannan" or "traveling into Jiang Nannan", and the dual perspective substitution brought about by "swapping bodies" is a fresh attempt that has almost never been seen among Douluo fans. This is undoubtedly the most attractive first hook of the book. If "swapping bodies" is the gimmick of the book, then what really makes the book interesting is the subsequent series of reversals and tortures surrounding this gimmick. After changing into Jiang Nannan's body, the first critical blow the protagonist faced was the ensuing identity anxiety and gender cognitive impact. After changing his body, the male protagonist's reaction was: "Gee! Who can bear this?" It can be seen from Chapter 62 that even after the master Electrolux appeared, the protagonist's first reaction was still how to change back. He even shuddered at the thought of being a girl for the rest of his life and "being the one underneath". This transition from resistance to gradual "uncomfortable adaptation", and then to the vague and ambiguous intertwining feeling between soul and body with Jiang Nannan, constitutes the greatest narrative tension in the whole story - on the one hand, the tension created by the possibility that the "owner" of the male protagonist's body can take back the body at any time, and on the other hand, the secretive psychological changes when he finds that he is "less and less like himself". Some readers commented quite accurately: "In the beginning, it was the little dandy's road to self-discovery, and then he went in both directions, which was good... Before the ending, I asked him to come back for one night to experience it, and then he found that he preferred being a woman." A few words capture the soul of this book - after the container of "body" is forcibly exchanged, where is the boundary of "self"? This question, under the appearance of a playful light comedy, consistently tortures the protagonist and the heart of every reader. From the perspective of character creation, this work is also unique. As an important character in the original work of "Peerless Tang Sect", Jiang Nannan is burdened with an extremely heavy background setting - she was forced to sell herself to the Xuanming Sect to save her mother, and her entangled grudges with Xu Sanshi have always been a very difficult narrative for Douluo fans. In this book, Jiang Nannan is no longer just a "weak and miserable beauty" who needs to be saved, nor is she just a subsidiary existence of Xu Sanshi. By exchanging body settings, readers can truly "enter" Jiang Nannan from an extremely novel perspective - see her daily life, experience her joys and sorrows, and see her tenacity and pride as one of the Shrek Seven Monsters. This kind of substitution is a depth that ordinary perspective narratives cannot reach, and it is also an important contribution of this book in the dimension of fan creation. Of course, no book can be perfect. "Douluo, Starting from Exchanging Bodies with Jiang Nannan" also faces a common fate of fan works - start high and go low. Some readers pointed out unceremoniously: "The front is fine, but the back has fallen into the cliche since the original account owner pushed the body back... The back is just for the sake of pleasure, which is not good, and the back is stretching the crotch." This is an extremely fatal evaluation - it means that once the "body-swapping" suspense at the core of this book is forced to be resolved or weakened, the charm of the story will fall off a cliff. When the protagonist's soul is no longer a "traveler with only one ticket", but a "temporary tenant" who may be replaced by the original owner at any time, the tension and confusion are both a ball of thunder that can explode at any time. This tension itself should become the narrative skeleton throughout. If readers can clearly feel that the later period is heading towards "refreshing for the sake of being refreshed", it means that the creator may still be short of breath in terms of the malleability of the core contradiction. But even so, the flaws do not hide the advantages. In the highly homogenized Douluo fandom market, this work is enough to leave a clear mark in the field of fandom creation simply by virtue of the extremely novel idea of ​​"swapping bodies" and the resulting discussion of gender cognition and body ownership. Book review conclusion: This is not a textbook-style orthodox message. It does not have a grand worldview structure, nor does it have a majestic feeling for family and country. But its value lies in the word "novelty" - using a small "body exchange" question to tear open a fresh hole in the mediocre curtain of Douluo fandom, tearing a crack in the old cliché, allowing the sun to shine into those characters we have never really understood. For those Douluo readers who are tired of "system starts", "template slaps in the face", and "starts full of soul power", this book may be just the roof of words you have been looking for for a long time. See Lu Chen as a boy's soul trapped in Jiang Nannan's soft body, how he struggles in vain, how he slowly falls, how he is swept away by that elusive fate - this process itself is exciting enough.