
Seven Years after Her Death, She Was Doted on by the Group and Went Crazy
About This Novel
[Bright and optimistic little sun × gloomy and affectionate boss] [Rebirth + slap in the face + group pet + reunion + redemption] The beloved fiancé was in an accident and turned into a vegetative state because he was trying to save his childhood sweetheart. And the three younger brothers who were originally well-behaved and sensible also turned dark after her death. The second child, Shi Yuli, supported the Shi family and became a powerful business tycoon and an upstart in Pu City. Lao San Shixu studied academics intensively and became a scientific research boss. All of them turned against their ex-brother-in-law, but none of them ended well. After being reborn in the seventh year after his death, Shi Yao learned from the painful experience and found three bastards to educate him on love one by one.
What Readers Think
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Official(2)Scraped 8d ago
I don't like Shen's attitude when facing the heroine. He is condescending and feels forced, which is very annoying! I also feel that the heroine is inexplicably afraid and guilty of Shen (Afraid of being discovered? Are these two unmarried couples afraid of this? Not to mention that the heroine has already had a divorce, right, the engagement has been canceled long ago?) Even if he finds out that the heroine is back, what can he do to the heroine? (Lock him up in a cage? Or send him for research?) What's more, the heroine is back and what's the point of being more wanton? The heroine didn't feel sorry for Shen, right? (Why should he?) (I don't like watching dramas with him, it's too annoying, θ\(;¬_¬)) I still prefer the idiot brother
The various settings are quite good, and the front part is also very interesting. I like the interaction between the heroine and her brother. But I don't understand why the male protagonist doesn't express his love for the female protagonist properly. He even saw the female protagonist's face change when she saw him and the female partner. Doesn't he understand what the misunderstanding is? He still doesn't express it, and he is still thinking of other reasons. The male protagonist knows that the female protagonist is the female protagonist. In order to cooperate with the female protagonist, he pretends not to know but pursues the female protagonist. Isn't this creating a misunderstanding? Why didn't she ask if the heroine was ready to die for her love? Even if she didn't want to tangle with the hero at first, then why didn't she ask if the hero pestered the heroine so much and the heroine was very distressed? Just say that she asked for her cousin? ! Of course, if the male protagonist can properly express his love for the female protagonist from 7 years ago, the female protagonist will probably ask.
Rating
Community(0)
Official(2)Scraped 8d ago
I don't like Shen's attitude when facing the heroine. He is condescending and feels forced, which is very annoying! I also feel that the heroine is inexplicably afraid and guilty of Shen (Afraid of being discovered? Are these two unmarried couples afraid of this? Not to mention that the heroine has already had a divorce, right, the engagement has been canceled long ago?) Even if he finds out that the heroine is back, what can he do to the heroine? (Lock him up in a cage? Or send him for research?) What's more, the heroine is back and what's the point of being more wanton? The heroine didn't feel sorry for Shen, right? (Why should he?) (I don't like watching dramas with him, it's too annoying, θ\(;¬_¬)) I still prefer the idiot brother
The various settings are quite good, and the front part is also very interesting. I like the interaction between the heroine and her brother. But I don't understand why the male protagonist doesn't express his love for the female protagonist properly. He even saw the female protagonist's face change when she saw him and the female partner. Doesn't he understand what the misunderstanding is? He still doesn't express it, and he is still thinking of other reasons. The male protagonist knows that the female protagonist is the female protagonist. In order to cooperate with the female protagonist, he pretends not to know but pursues the female protagonist. Isn't this creating a misunderstanding? Why didn't she ask if the heroine was ready to die for her love? Even if she didn't want to tangle with the hero at first, then why didn't she ask if the hero pestered the heroine so much and the heroine was very distressed? Just say that she asked for her cousin? ! Of course, if the male protagonist can properly express his love for the female protagonist from 7 years ago, the female protagonist will probably ask.









