Hunter's Mask Maker

I feel like the author has always wanted to fill in the leftovers of the story. When I saw the corpse hidden in the cake, I lost the desire to read it. I will give it 5 stars to support it. There are not many novels about hunters. Come on.

It seems too strenuous. I read two chapters and still can't understand.

I just finished reading The Liar Eater (half of it is the original work and the rest is commentary) and I have some thoughts. Let's just say it here. Mainly two things. The first one is the kindness and righteousness of the protagonist and the evil of the world. I know you have three expectations for Hunter World. One is that the Hunter World is so cruel. If the protagonist is a kind person, he will question it. Then a problem arises. Do you think that if Madarame tapir traveled to the Hunter World, he would give up the goal of world peace? No. So do you think spotted tapirs can do it? Worth the wait. This brings us back to the original question. The contradiction between the good character of the protagonist and the evil of the hunter world is worthy of questioning, but also worth looking forward to. Since we are talking about expectations, we have to talk about the other two. The second expectation is probably to use unreasonable attacks and other methods to kill the hunter world and defeat an enemy country. Not bad indeed. Two more issues arise here, namely audience, media and threshold. Just like Carmi uses the Death Note to enter his own rules and aspires to become a god in the new century, Madarame gets rid of the darkness in gambling again and again and gains the power of the gambler. There is no doubt that the first way of writing will be simpler, but the protagonist of this book is biased towards the spotted tapir. Many of the protagonist's layouts can actually be accomplished without special abilities. Of course, this way of writing will cause another contradiction, that is, the fan audience and the general audience. There is no doubt that using various plug-ins to solve problems in the Hunter World is a mainstream trend among humans. It would undoubtedly be inappropriate to slowly advance power like Sword of Dawn, or to use the power of everyone to change the world amid conflicts, so this contradiction actually shows that my writing method is not suitable for hunters. Because of Hunter's rigor and my writing habits, I unconsciously went in a strange direction. About the media. In fact, after I finished watching The Liar Eater, I planned to find a chance to create a plot like air poker or throwing handkerchiefs later. However, this reminded me that there is a certain gap in the media. Some things are better expressed in games or comics, so I will put this aside for the time being. Describing the contradictions and media and thinking about them is essentially to explain to you that this is a fundamental contradiction between myself and my fellow Hunters. If you prefer the original work, especially the Wang Xuan chapter, and write more rigorously, you will be an outlier in the fandom. If the problem is solved through strange plug-ins, it will essentially destroy the logic of the world. At least if I were in the Hunter World, those who had been hunting ants for less than half a year would have a lot of problems with their identities and experiences, and I could probably guess that they were abnormal, or were time travellers. Therefore, I personally feel that there are a lot of hangups. In addition to explaining the rationality, what is more important to pay attention to is whether you are being seen through the game with the group of highly intelligent businessmen in Hunter World, or whether you have been discovered and counterattacked while growing up. Tsk tsk. This is an impeccable reason for me to find updates every other day and then create something original. Um. This explains several problems.

Author, the book you wrote is so boring. 10 Of the more than 20 comments are your own. What you wrote makes others not even interested in complaining about you. You are not a great writer. Don't think about making readers adapt to the book you write. If you can't write a book that attracts readers, I suggest you change your track and stop writing online articles. Your book persuaded me to quit twice. I read it once more than a year ago and was persuaded to quit after reading a few chapters. This time I read it a little longer and read more than ten chapters. I really couldn't stand it. It was too boring. I didn't even have the slightest desire to complain about you.

The author's cultural level is too high. As a reader, I can't understand what he is writing. I feel that there is no linear logical basis, and many new chapters are connected inexplicably.

Everyone can come and share and discuss mindfulness design. Let me start first. Ink painting 1. You can draw a mind beast in the air with a modernized brush. The more complete the shape of the mind beast, the stronger it is and the longer it lasts. After the drawing is completed, you can write another word to give it characteristics, such as "Royal Rule" to strengthen its defense, and "Poison" to increase its poison attribute. Of course, these buffs take time to understand. 2. Rice paper, spread out a space and paper with a length, width and height of 10 meters. The artist can draw the landscape on it and the corresponding objects can be embodied in it. As for the constraints, I have some experience with it. The first is the efficiency and precision of painting, which is somewhat similar to Finks' Kaitian. The artist likes ink painting and is indifferent.

I must admit that the pace of the first original was too slow, there were too many characters appearing at the same time, and it was too complicated. At first I just wanted to write a different story and twist as much as possible, and then I had to put more into it, and this is what happened. There are a lot of foreshadowings to be laid, including not only the development of the protagonist's telekinesis ability, but also the connection between the heroine and Slan, Shana and the hunter exam, the awakening line of Niong, the hunter's license line, and even the sudden inspiration of the faceless man's ability later on. In addition, the purpose of the protagonist's actions may not be clear. Initially, he wanted to go out into the world and adventure like a fool. But I will slowly polish this back in the future. Also, the writing power is too shallow. In short, if the previous scene is too disturbing to the viewing experience, it is recommended to jump to Niong or Zade's three punches and start the battle directly. In fact, it's okay to start in the Night City, but there is still too little content at the moment. In fact, there is a big contradiction here. First of all, the great deeds that the protagonist has to do, in my opinion, have the key ability to reverse in 1998. It can be completely established and started to take action after the Youke Xin chapter in September 1999. It is completely reversed in the Ant chapter, and then there is the desperate line between Kajin and the Phantom Troupe. The paradox here is that actual events may be too far out. But if you don't look too far ahead, it may collapse too quickly, and the protagonist will have to go through too much. So much so that I want to give him a clone that can stay on the dark continent and the island in the lake, or come from afar. I will continue to work hard to unite these in the future, and I hope everyone will support me.

Why does it not read smoothly? I always feel awkward and uncomfortable to read.

I can't understand it, it's similar to (A and B went to C's house and saw Ding beating Maria.) I couldn't tell which one was the protagonist.

The plot is too long-winded and not enjoyable. . . . . . Ah bah bah bah bah