Research on the Stylistic Paradigm of Modern Chinese Prose Poetry and Drama

Research on the Stylistic Paradigm of Modern Chinese Prose Poetry and Drama

by Dong Huichuan

Length:
225Kwords29chapters
Latest:
Ch. 29Postscript
Activity:
Updated 3y agoScraped 11d ago
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About This Novel

The stylistic paradigm of modern Chinese prose poetry and drama mainly includes genre paradigm, artistic expression paradigm, language paradigm, and stylistic style paradigm. The genre paradigm of modern Chinese prose poetry and drama is expounded from three aspects: prose genre form, poetic genre core and dramatic genre characteristics. In terms of the language expression paradigm of modern Chinese prose poetry drama, it mainly includes easy-to-understand, straightforward and clear verbal expressions, as well as indirect and subtle verbal expressions with a lingering aftertaste. In terms of the hybrid paradigm of language, the hybrid paradigm of modern Chinese prose, poetry and drama language is mainly manifested in the hybridization of spoken and written language, and the hybridization of Mandarin and Europeanized languages. In terms of rhetorical paradigm, the use of rhetorical figures such as "symbol" and "opposite and complementary" is expounded. Symbols and metaphors, irony and irony, contradictions and paradoxes are some of the most common artistic expression techniques in the creation of modern Chinese poetic dramas, especially prose poetry dramas, and they are also interpretation objects that need to be distinguished carefully. The stylistic paradigm of modern Chinese prose poetry drama mainly includes serious and profound objective representation, elegance and abstract intellectual speculation, and solemn irony of internal and external conflicts.

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