On the Day He Was Reincarnated and Went to Bed, He Agreed That the Prince Would Not Approach Women
by Zhan Hongni
About This Novel
[Rebirth of mother and child + double cleansing + difference in body shape + super sweetness + atypical palace fight, cold and sultry prince x charming and sober little palace maid] Kan'er is the lowest servant in the East Palace. She gave birth to a good body with big breasts and perky buttocks, and she became a tool for the princess to give birth to her child. The prince is cold, stoic and intimidating, but she is trembling with fear, walking on thin ice. Later, there was a huge change in the East Palace, and the princess broke her leg, humiliated her body, and caused her child to die miserably and stupidly! Kan'er was filled with regret and regret, and he has been doing everything he can from now on. From concubine to concubine, her former enemy drank poisonous wine in front of her, her revenge was avenged, and she sat on the throne for twenty years! As he was dying of a terminal illness, Emperor Qingzhao, who had always been cold-blooded, turned gray overnight. Jian'er: I won't serve you anymore. I'll die first. As a result, the eyes closed and opened. She was reborn on the night she was sent to bed! Shan'er: God will definitely ask me to come back to make up for Brother Yao. I will work hard to attend to the prince's bed, coax the prince to bed, and strive to be happy as soon as possible! The Crown Princess is making things difficult? Framed by other concubines? What a joke, she was a palace fighting champion in her previous life! Call her a witch? So what, she is favored! -Everyone knows that there is a good lady in the East Palace, the prince is particularly fond of her, and all his children are the sons of this good lady. It's a pity that Liangdi's background was too low, and she was a child bride in her early years. After the new emperor ascended the throne, the throne became vacant, and everyone in the court had different thoughts. Who would have expected that with a wave of his hand, the new emperor would make Liangdi his queen and dismiss her harem! Three-year-old brother Yao chews: It's great, my parents are different from their previous lives! I will never die again!
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Official(1)Scraped 20d ago
Three generations of love, filling the gaps in every life, and finally achieving perfection
One was in need of an heir due to the situation, and the other was limited by his knowledge and threatened by the princess. The first acquaintance between the first Qingzhao Emperor Luo Xun and Song Kan'er was not pleasant. Later, due to the suspicion of the emperor, the jealousy and frame-up of his brothers, and experiencing suppression, confinement, and the loss of his son, Luo Xun, who was already indifferent, became colder and colder, and gradually became a qualified prince and even a king. Song Kan'er, a palace maid with little knowledge and a humble background who was trapped in the inner house, went through a lot of hardships in the prince's backyard. She was humiliated, had a child borrowed from her, and her child became stupid due to illness and was killed. The scandalous things in the back house forced her to grow up, abandon her former inferiority and cowardice, and become "well-informed", rational, and aware of current affairs. The two supported each other in the former dynasty and the harem, but they stayed together for a lifetime without knowing their love. It was not until Song Kan'er, who was already the queen, passed away that Luo Xun suddenly realized that he had fallen in love with each other during the forty years of being together. At this point, Emperor Qingzhao, who had just recovered from a serious illness, was in Zen meditation, and he himself traveled around, visiting every contemplation, just to seek a predestined dharma. Five years later, Emperor Qingzhao returned to Beijing and reopened the Queen's old residence, where he chanted sutras alone for ninety-nine days, hoping that his beloved wife would be happy and fulfilled in the next life, and that mother and son could renew their relationship in this life and have another life. In the second life (also the main text), Xu is sincere. Song Kan'er, who has passed away, returns to the day when she was blessed. At this time, she is naked and being examined and lectured by the Crown Princess Zheng. In fact, she is told not to forget the kindness of the Crown Princess, to help the Crown Princess fight for her favor, and to count all the heirs she gives birth to in the name of the Crown Princess, and so on. However, she was familiar with the character of the people in the East Palace and had experienced thousands of sails. She made a different choice from her previous life, expressed her sincerity to the prince and helped him avoid the frame-up of other princes. The prince also knew the origin of Song Kan'er's familiarity and boldness with him because of his occasional dreams in his past life. He understood his intentions early and made plans in advance so that she could legitimately become his crown prince and even his queen. Emperor Yuanlong also completely let go of his suspicion of the prince because of the late emperor's dream. From then on, he lived a stable life. In the third life (extra), fourteen-year-old Luo Xun dreamed of himself in the previous two lives. As a young man, he became extremely curious about Song Kan'er, a woman he had loved for two lives. He placed her beside him, taught her how to read and digit, helped her find her closest relatives, let her out of the palace to reduce the identity gap between the two, and made her his wife. Because there was no barrier between them in the previous two lives, both of them were the type to talk when they had something to say. Therefore, in this life, they achieved a true emotional connection. There are two points in the middle that I want to complain about. One is Prince Xuan's side concubine, Mrs. Jiang, who is a scholar. She considers herself to be a new-era woman who doesn't engage in female competition. On the other hand, she relies on the halo of the heroine to act recklessly. She mainly portrays a person who is strict with others and lenient to herself, but it disgusts me. The other one is the description of Song Kan'er's figure by some royal relatives and dignitaries. She is always coquettish and so on. I don't know what to say about that quality.
Rating
Community(0)
Official(1)Scraped 20d ago
Three generations of love, filling the gaps in every life, and finally achieving perfection
One was in need of an heir due to the situation, and the other was limited by his knowledge and threatened by the princess. The first acquaintance between the first Qingzhao Emperor Luo Xun and Song Kan'er was not pleasant. Later, due to the suspicion of the emperor, the jealousy and frame-up of his brothers, and experiencing suppression, confinement, and the loss of his son, Luo Xun, who was already indifferent, became colder and colder, and gradually became a qualified prince and even a king. Song Kan'er, a palace maid with little knowledge and a humble background who was trapped in the inner house, went through a lot of hardships in the prince's backyard. She was humiliated, had a child borrowed from her, and her child became stupid due to illness and was killed. The scandalous things in the back house forced her to grow up, abandon her former inferiority and cowardice, and become "well-informed", rational, and aware of current affairs. The two supported each other in the former dynasty and the harem, but they stayed together for a lifetime without knowing their love. It was not until Song Kan'er, who was already the queen, passed away that Luo Xun suddenly realized that he had fallen in love with each other during the forty years of being together. At this point, Emperor Qingzhao, who had just recovered from a serious illness, was in Zen meditation, and he himself traveled around, visiting every contemplation, just to seek a predestined dharma. Five years later, Emperor Qingzhao returned to Beijing and reopened the Queen's old residence, where he chanted sutras alone for ninety-nine days, hoping that his beloved wife would be happy and fulfilled in the next life, and that mother and son could renew their relationship in this life and have another life. In the second life (also the main text), Xu is sincere. Song Kan'er, who has passed away, returns to the day when she was blessed. At this time, she is naked and being examined and lectured by the Crown Princess Zheng. In fact, she is told not to forget the kindness of the Crown Princess, to help the Crown Princess fight for her favor, and to count all the heirs she gives birth to in the name of the Crown Princess, and so on. However, she was familiar with the character of the people in the East Palace and had experienced thousands of sails. She made a different choice from her previous life, expressed her sincerity to the prince and helped him avoid the frame-up of other princes. The prince also knew the origin of Song Kan'er's familiarity and boldness with him because of his occasional dreams in his past life. He understood his intentions early and made plans in advance so that she could legitimately become his crown prince and even his queen. Emperor Yuanlong also completely let go of his suspicion of the prince because of the late emperor's dream. From then on, he lived a stable life. In the third life (extra), fourteen-year-old Luo Xun dreamed of himself in the previous two lives. As a young man, he became extremely curious about Song Kan'er, a woman he had loved for two lives. He placed her beside him, taught her how to read and digit, helped her find her closest relatives, let her out of the palace to reduce the identity gap between the two, and made her his wife. Because there was no barrier between them in the previous two lives, both of them were the type to talk when they had something to say. Therefore, in this life, they achieved a true emotional connection. There are two points in the middle that I want to complain about. One is Prince Xuan's side concubine, Mrs. Jiang, who is a scholar. She considers herself to be a new-era woman who doesn't engage in female competition. On the other hand, she relies on the halo of the heroine to act recklessly. She mainly portrays a person who is strict with others and lenient to herself, but it disgusts me. The other one is the description of Song Kan'er's figure by some royal relatives and dignitaries. She is always coquettish and so on. I don't know what to say about that quality.
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