Let You Play the War Sound, and You Will Perform the Miracle Again?

I beg readers to collect it, and if you have any other music you want to see, you can also suggest it. The author will try his best to write it into the novel, thank you very much.

Can I say that this book is a bit corny? The opening scene of a rich woman falling in love with a poor boy and being picked on for no reason has been popular many years ago. Even the previous novels would give a reason to infringe on the villain's interests or kill the other's relatives. After all, who would mess with someone who is favored by a genius with great potential and strong background? Not to mention clichés, if I watch too much and feel depressing, I will seek out more mindless ones to relax. The key point is that it's too abrupt. Can you imagine how divisive it would be if you become the center of the storm after traveling through time and not only don't panic, but also show your edge? If the author wants to highlight the decisiveness and ruthlessness of the protagonist, you can set the protagonist's past life to be a mental patient. The protagonist has an unimaginable obsession with music, which can also explain why the protagonist travels through time (it is better to make up a soul resonance than a conspiracy theory or a closed time loop, because this type of article itself should not be too entangled in this issue, but it must give people an explanation) At the same time, the setting of the protagonist is still not three-dimensional enough, and the story of the past life and predecessor is not explained. (I know that the memory of the predecessor is fused, but the paragraphs are too few, and it only explains that the predecessor is a music maniac. When the memory is fused, it is often the best time to explain the world view. I hope the author can refer to it) Even the skills are not fully explained before they are already sung (at this time, the protagonist should be described internally and let the protagonist analyze the talent of Zhan Yin. The first is to explain the setting, the second is to make the protagonist's next behavior more reasonable, and the third is to allow readers to have space to think about the upper limit of this talent. At the same time, it can also better use their imagination to give you suggestions for the author, such as song requests or unexpected tricks) Summary: 1. The world view is not well laid out and the beginning is too abrupt. 2. The character of the protagonist is unclear, and I don't know what to pursue and what the pressure is. 3. There is too little thought about the most important talent in this book, "War Sound", and only the restrictions on combat power are reflected in the following text. There is no trigger condition, no spell casting form. Even if the atmosphere that triggers the condition is reached, even if the spell casting situation is singing or playing, it is better than the sudden insertion of a piece of lyrics without any explanation. A little more detailed: 1.1 The history of this world (what makes all this unusual can be written in the early stage to facilitate understanding of the background), the name of this area (convenient for readers to have an anchor point), and the environment where the protagonist is (so as not to appear out of space). 1.2 There is not enough preparation. If you want to write straight to the protagonist's opening dilemma, you also need to have enough literary skills to draw attention from the environment, the opponent's demeanor, portrait and action description in an alternative way. 1.3 Is just too cliche. Nowadays, people generally like nonsensical content when they see it. 2.1 Even if there is no description of the environment, there is not even the protagonist's goal, nor the pressure or motivation for the protagonist to move forward. It is really empty. The three golden chapters need to explain these. If you do a good job in the early stage, you can get good results in the middle and later stages of writing by foot. 3.1 I may not have made it clear above about Zhan Yin, but the author needs to understand that we all came in to watch it because of this. There must be more descriptions of Zhan Yin. Whether it's Huo Yuanjia's performance with just a few lines of lyrics, or Diga's performance where he just casually played for a while and gave a bit of inner drama to a supporting role and it's over. It's all too perfunctory or simplistic, and there's absolutely no room for imagining the tension in the picture. Of course, just being able to write a pen is already better than most people. The rest is nothing more than a long accumulation. Come on, author, five stars. I also wrote a small paragraph and treated it as an essay. Li Xi was thinking about how long the transformation would last when his heart suddenly felt a throbbing. He turned around and looked into the distance. The snowy peak a thousand meters away suddenly collapsed. A giant wolf with hair like the bright moon stood there, staring at Li Xi from a distance. Li Xi's heart was about to stop. He just wanted to live and enjoy this hard-won second life. But, somehow, Li Xi felt that he couldn't escape. This feeling is very strange. Li Xi obviously thinks that the giant wolf is enough to crush him, but Li Xi subconsciously feels that there is a reason why he has to fight... At the same time, Wang Zihua was hiding at the foot of the mountain. He could clearly feel a biting cold wind blowing across his skin. He already knew what was above his head. Now it seemed that all Wang Zihua could do was wait for death. "Damn it, little sister, I can't avenge you anymore." Wang Zihua huddled in pain behind the newly fallen snowdrift. He felt his useless talent and shed tears in despair. "I'm really not reconciled. The person who hurt my little sister has gone so far on the road to becoming stronger, but I can't take a step out..." "Qia!" A loud war cry sounded, followed by high temperatures that could melt through the snow-capped mountains. Wang Zihua's closed eyes opened, and regardless of the coldness of the snow on the ground, he rolled his head out of the snowdrift - he saw a miracle! A god with a red gem on his chest was fighting a giant wolf, and the divine music from heaven sounded in Wang Zihua's ears at the right time. "New storm............" The next idea is that the protagonist cannot defeat the giant wolf, but at this time Wang Zihua has been convinced by the protagonist and begins to pray for the protagonist. The "trigger condition" is met. The protagonist explodes before death, unlocking all the Tiga compound power, and at the same time the protagonist's thoughts are sublimated. It's satisfying to start fighting for the good of others, and it saves Wang Zihua, which can also pave the way for the rest of the story. So in my opinion, this subject is very easy to write, and it's best if it's written with a divinity. The male protagonist doesn't want the Virgin, but he must save the world. You can continue to write about the male protagonist being betrayed when he was saving others, but in the end he saved the world through self-reflection. In fact, it's okay to write it a little darker, but since the "BGM" line has been chosen, it is necessary to show the saint in front of people. Either humans are bad and the male protagonist will not be accepted by the world if he fights against humans, or the male protagonist and humans stand on the same line to fight monsters and become the savior of mankind.

The author arranged "Dan Ge Jinghong" and "Under One Person"