About This Novel
This book tells various stories between himself and music based on every bit of his musical life. It not only contains stories and experiences of learning various musical instruments, such as guitar, erhu, Xiao, flute, etc., But also vividly depicts the images of various teachers and friends related to music, such as the old naughty "Huaxi" editor-in-chief Liao Guosong, the symphony enthusiast "Huaxi" editor-in-chief Yuan Zhengqian, the cousin-in-law Luo Ge who is an audio expert, and the eighth uncle who was obsessed with music but eventually suffered from mental illness and struggled to survive. Therefore, this book is not only the musical memory of the author, but also the musical memory of ordinary people in the city of Guiyang where the author lived from the 1980s to the 1990s. It also includes the author's music essays, music reviews, and novels and essays inspired by music. For example, "Twenty-Nine Chinese Singers in My Impression" is a wonderful review of the representative figures of Chinese pop music from the 1980s to the 1990s (Teresa Teng, Faye Wong, etc.), As well as "Rock Talk", "Vinyl Records", "Listening to Wu Tong Singing Songs without Words at Gao Yanjinzi's House", etc. In this book, music is reduced to related music events, music stories, music novels, and music biographies, leading us to a world where uniquely charming people and music interact and coexist, with a strong musical anthropological meaning in the urban field. The unique musical perspective reflects the living conditions and outlook of a specific city, a specific era, an individual person and a group of people, which will inevitably resonate with many readers.
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