Late Ming 1640

After reading dozens of chapters, I can't stand it anymore. It's a golden finger of time travel, and it doesn't develop technology, so it can be written longer. People are also running around here and there. Don't explain the end, it's the late Qing Dynasty. As long as it's a troubled time, if you want to live, firstly, you must have food, and secondly, you must have food. Weapons, the third is to have people, this is the most basic, this is all clear, either you take your family to hide in the mountains and old forests, or pick up a knife, any modern person who travels through the past will have ambitions, you are still hesitant and hesitant, you are still the same as before The old routine is that you are forced to be helpless at first, then you struggle and finally adapt slowly. Many time-travel novels make the protagonists too noble. In fact, readers like shady characters. Everyone knows who they are. There is no need. If you are not rich, don't do it. I always think about doing something great and noble. That is what you should do after you become famous. Nowadays, the Internet is developed and people know more. Are you writing novels for hobby or for money? If it is for hobby, I apologize for misunderstanding you. If it is for money, then don't build a memorial arch.

Not Jiangnan, not Jiangnan, not Jiangnan. Say the important things three times. It's just a line to Jiangnan. Juzhou cannot stay any longer because it is too close to the main battlefield in Kaifeng. The protagonist doesn't know much about various places in this era. He had a family to take care of, so he naturally wanted to find a safe place. Where does the protagonist want to stand? In fact, it is in the place where the protagonist comes from. When I write novels, I never give the protagonist an obvious golden finger. But some of us have some secretly working golden fingers. In fact, there is a clear connection between the place where the protagonist is based and the place where the protagonist comes from. Because in ancient times, they wanted to dominate one side. The most useful one is the township party. If the protagonist wants to have a powerful force seventeen years before Chongzhen, he must be promoted by a noble person. This relationship is easiest to establish between master and apprentice and the township party. Yuan Shu, the father-in-law, is not good enough. That must be the township party. Who is this person? I think many people have already guessed it. Then, the protagonist's future foundation will be determined. In fact, some readers have already guessed it in the book reviews. Of course, I also reflected on it during these two hours. That is, I had a problem with the plot arrangement earlier, which resulted in an obvious gap in the continuity of the plot. This problem will occur. This is my problem. Thank you very much for your support and criticism. I thought about it, if I want to correct this problem, I have to overturn everything above. However, I am already a eunuch. Can't come again. I can only ask the readers to be tolerant. Please rest assured, adults, I will reorganize the outline. There will no longer be such an obvious disconnect.

Poor writing and too many typos are my old problems. Always changing. However, changing this aspect will not happen overnight. I am afraid it will take tens of millions of words of hard work. So, please forgive me. In fact, your idea is similar to mine, except that you put the scene of breaking up with Shi Kefa later. There will be a honeymoon period between the protagonist and Shi Kefa. Then the differences of opinion between the protagonist and Shi Kefa become more and more serious. Shi Kefa also had the intention to save the Ming Dynasty. What the protagonist does is also saving troubled times. Will be fellow travelers for a while. The difference between the protagonist and Shi Kefa is whether to save the world or save the Ming Dynasty. At that time there will be a complete breakup. It is also difficult to improve my writing skills and historical background. However, what do you think is wrong? Can be more detailed. For example, what is the most annoying setting? I'm looking forward to serious reading friends pointing out my problems. Finding and solving problems is the best way to improve yourself. There are some problems that I cannot discover by myself. Naturally, it cannot be solved. For example, for a question, I tried to trick the protagonist as much as possible. There is no idea of ​​suppressing the development of the protagonist. Even more than anyone else, I want the protagonist to fly into the sky. But the most basic logic still needs to be discussed. After all, if I really drive a big game, with a system, you won't want to see it. Finally, I sincerely thank you for your support.

The writing is not good, and the language is slobbery, Internet slang, and English expressions, but the storyline may not be bad and the characters may not be three-dimensional. The historical details are not fully restored, maybe Guan Gong fought Qin Qiong, maybe it is ancient times, and there are many problems in the Ming Dynasty 1566. The main purpose of historical writing is to understand the core logic of the historical background, to suppress the rogue bandits and resist the Manchu Qing Dynasty, and to extend the life of Chinese civilization. At least we must know where the disease of Chinese civilization lies. The disease of the late Ming Dynasty was that the system of the Ming Dynasty collapsed and had to be opened anew. The gentry in the south of the Yangtze River abandoned the grassroots military meritocracy and the landlord class collapsed. These people became the main force of rogue bandits. In this case, you have to rely on Shi Kefa to strengthen yourself. The situation is probably close to the historical plane, which is what happened to the iron-blooded and dim-witted Pang Yu. The protagonist's starting point is not high, but Li Zicheng, who is not from Shaanxi, has become stronger. If we want to follow the script of Four Towns in Jiangbei, the protagonist must be more decisive and ruthless, and he must dare to have some conflicts with Shi Kefa. Since the protagonist is a scholar or a time traveler with cheating knowledge, and his soul is also a new young man who has learned historical materialism, should he debate with Shi Kefa, even if his differences in line are suppressed and he falls out? Go to Zheng Zhilong, or meet King Lu or some enlightened prince halfway. Even if you meet Ruan Dacheng and copy your homework, it is feasible. In addition, the time traveler is weak in the early stage, and his subordinates are all doing weird tricks. Is it possible that he will not survive more than three episodes? It would be better for Magistrate Wang and others to escape and be killed by the protagonist's ambush, but Shi Kefa found something suspicious. The protagonist in the city suppressed him with an iron fist, and Shi Kefa held him accountable. The protagonist said how the eunuchs fought against Zuo Guang back then. Now the court and the world are in danger. The scholar-bureaucrats did not save the Song Dynasty back then, but now they can do it to the Ming Dynasty... And directly advance the iron-blooded speech. Then you encounter Shi Kefa's suppression, which washes away your previous embarrassing settings. You want to write that although the protagonist is a time traveler and the history is passable, he is still taught how to be a human being and beaten by social universities. It is also a good classic routine. The problem is your writing power and historical background. I am afraid there is nothing you can do to help you write it more smoothly. Readers also feel that it is really frustrating and inexplicable. Many settings are deliberately made to slow down the development progress.

Aren't you going to open a new book? When will it open?

I have read dozens of chapters, but I have never practiced military training. What is this about? Not even mentioning military pay, that's child's play.

The order is wrong. You are not a general. Why should you talk to others? It's too early to put these 90 chapters here.

Another novel that slanders the Peasant Rebel Army, boring.

I originally wanted to go back directly. But I found that I could only write a hundred and fifty words in reply. Hence the new post. I probably agree with some of Brother Tianliang's conclusions. The division of military force levels among rogue bandits. But the details are debatable. First, the structure of rogue bandits is not clear. At least in my opinion, for a long time, Li Zicheng and his subordinates will have the nature of an alliance. In other words, there are four levels of rogue bandits. We must not simply think that Li Zicheng leads the elite and the generals below manage them layer by layer. On the contrary, every general under Li Zicheng had a number of elite and old thieves, a number of new servants, and a number of hungry people. A bandit should have all four levels. But at the same time, due to specific circumstances, the four levels are incomplete. For example, Zhang Xianzhong in the book. He was beaten by Zuo Liangyu just now. So the level of hungry people no longer exists. Of course, as Li Zicheng's strength grew, his intervention in the generals became deeper and deeper. There were some new changes, but I won't go into them here. Secondly, the troop strength of the rogue bandits changed quite a lot before and after. Moreover, it is difficult to find out with certainty in historical data how the rogue troops were deployed in a certain year and month. Even the caliber of different historical materials is different. The changes are huge. Different historians hold different views, and they all get into a ball. This raises a new question. That's where I determined from when I was writing. That's from the story itself. There was a time when I found very few historical materials. I was overjoyed when I saw this data in the historical data. It must be used in the book, and everything shall be based on the historical data I found. The editor reminded me that some parts were not written well. But I say that this is the case historically. Later I read more. After gaining a little wider knowledge, I suddenly realized that historical data can be deceiving and historians can be one-sided. Everyone's interpretation is different. There are countless answers to the same thing, and there is no standard answer or correct answer at all. Since there is no such thing, I prefer to rely on historical data. That's so stupid. I finally reflected on myself, I write novels. Plot first. Write fun first. So, I now write novels that stay as close to history as possible. The overall impression is close to history. There will be discrepancies in specific historical details. Even for the needs of the novel, there is nothing to show off. Cut off the long and take the short. Etc. Specific to the details of the troop strength of the rogue bandits. I will probably conform to the impression of a bandit, just like the details that Brother Tianliang talked about. It can be consistent as soon as possible, but also a lot of history is difficult to confirm. I personally feel that I used Ju Ling to dispatch generals, summoned Li Zicheng from the ground, and asked Li Zicheng with words and deeds, how many troops did you have in March, the fourteenth year of Chongzhen, down to single digits? Even if Li Zicheng was killed, he wouldn't be able to tell. This gives me room for maneuver based on historical impressions. In terms of specific quantity. Then it depends on how the protagonist's story is written. If necessary, exaggeration and reduction can be made on the premise of conforming to the historical impression. Finally, special thanks to Brother Tianliang, really. I haven't found many of your historical details. For example, cavalry speed, I don't know where to find this data. It's really awesome. Of course. I also asked Brother Tianliang for help. It's actually pretty clear what I want to write about in this book. But I still feel that the information is lacking. Brother Tianliang thinks there is any relevant information. If it is relevant to the content of this book, you can recommend it to me. I'll try to watch it. The same goes for other book lovers. I have always known that Qidian Book Friends are the highest quality in the entire online literary world. Among them there are hidden dragons and crouching tigers, and there are countless great gods. My superficial knowledge of history is simply not enough. Therefore, everyone thinks that I have a wrong understanding of history. Welcome to educate me. But when you educate me, please hit me with a book list. So that the boy can understand what the problem is and give me a chance to learn. Thanks again to Brother Tianliang and all readers.

It is well written and may become another masterpiece in the late Ming Dynasty.