The Lord is Famous Again

The setting is a Western fantasy, right? In Europe, many aristocrats and even many aristocrats who seem to have nothing to do with the royal family have the right to inherit. Is it written before that the protagonist has royal blood and has the right to inherit? Then why kneel down? If you really want to be loyal, you might as well be as good as the eldest prince. At least you have a good relationship. If you really want to be loyal to the princess, don't describe the princess in such a condescending way. (How are they handling the plot with almost the same arc? In the face of changes, a lot of book friends are shouting to keep Princess Olga, at least to establish a constitutional monarchy. This book just wants the princess to die). You must know the previous description. Faced with the protagonist and the wrong team, the princess had murderous intentions, but was temporarily begged by the old king to save her. Even so, the protagonist was exiled. The protagonist turns around and becomes loyal (especially the sentence "But now you have to fight for me", do you feel a little conscious of being rescued? It's really embarrassing). Didn't the protagonist just travel through time? Where does such great servility come from? What is the main plot? Which one has more charisma, a restorer with the right to inherit the country (the pseudo-King template) or a general who supports the queen? Moreover, you have sworn allegiance to the queen, and the queen has become the leader of the camp. If you want to get rid of the trouble and kill the donkey, what should you do if you give an order and the system will directly mark you as a red name (the protagonist does not have system permissions. In theory, as the leader of the camp, the queen should be able to make camp judgments about the players she belongs to and mark the protagonist as a rebel, right?). The front is very stable, but the moment he sees a woman, he loses his mind. . .

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The plot and everything are very good, but I found that the author's description almost seemed like he had a serious illness. (For example, if a character describes that other people have been calling him "Shangren", he himself also calls himself "Shangren". The third person also calls him "Shangren") And there are some bad sentences For example: What follows is a competition between willpower and something. The prerequisite for victory is to survive. It should be the reward for winning. Willpower and something else (I forgot) are already conditional factors. There is another condition for winning.

I really like it more and more the more I read it. At first I tried it because I thought the name was interesting. Although it takes a little patience at the beginning, but when the story really starts to unfold, it is really good. Update quickly so you don't have to worry about your tickets😎

The setting is quite interesting, but I don't know how it will develop later. If the experiences of each new force were written in detail, the number of chapters in this novel would be 2,000+. I can't say for sure. Let's take another look.

In Chapter 12, the author throws out the setting that players can only be in trouble and forced to make choices, saying that they cannot affect the general trend. Ah, haven't you been writing about players' uncontrollable and chaotic attributes before? If the player cannot defeat a powerful person for the time being, can he also defeat the family next to him, the affiliated forces, cities, villages, or even children? Isn't it a waste of time for players to massacre villages when they have nothing to do? Isn't this a bad influence? Who can stop the massacre? ? ? ? The protagonist actually said he couldn't influence it. Isn't this bad and serious enough? ? I just want to relieve myself from writing pressure, which is understandable. But the mistake is there. The mistake is that I have always emphasized the chaotic attribute and importance of the player, and suddenly it is not important, it is just a matter of difficulty. Isn't this nonsense?

I feel that my biggest problem right now is that there are too many names and they are hard to remember. It's like the queen's name. I still call her the queen. If you mention her name, I don't know who it is. There are too many characters. As a novel oriented towards online games, it is normal to have many player names. It's okay to be abstract, but you should mainly write a few "immortal" characters that specifically expand the player's perspective. I basically don't remember the names of the players in this book. Also, the old characters are retiring. I feel like I haven't seen the Rabbit Tooth Witch in almost a hundred chapters. At the beginning, I wrote about the interaction between the two people. It was so warm and they could subconsciously understand each other's intentions. It was so good. In the end, I forgot when she last appeared. I currently feel that the biggest shortcomings are that the names are difficult to remember, there are no main characters in Undead to expand the gameplay, and the old characters are disappearing, making it feel more and more boring to watch. You should come up with at least two iconic characters. Pachi, Lani, Snake Girl, and White Mask in the Dharma Ring Fang Chang, Xiao Qi, the boss lady, and pangolin in Game Too Real Hela and Aurora-chan in The Super Mechanic I've read more than 300 of them, and I can't even remember them except for the name of the protagonist. I don't have much of an impression on many of the characters.

The protagonist travels back in time and becomes the villain mini-boss in the game. He uses his understanding of the Fourth Natural Disaster to fully utilize the Fourth Natural Disaster to develop the territory. It uses the remnant soldiers of the old empire as the basic base and the Fourth Natural Disaster as the starting point. It continues to develop and constantly improve the game experience of the Fourth Natural Disaster. The only dissatisfaction is that it does not study magic. It is also said that you do not have the brains to study magic. If you travel through the magical world without studying magic, you have not traveled in vain. The second is to start to tighten the rhythm and forcefully divide the fourth natural disaster into two camps.

You are a eunuch, what else can you say? It felt quite watery, and the plot was flat as hell.

I said the plot was too bland and I should give it a try. Then I forgot about it. Now I turned it over and found that it wasn't updated a few months ago.