Become the Master of Thunder from the Beginning of Fighting

I'm curious, since he is the son of an old friend of Gu Yuan, why does he practice Huang Jie? Shouldn't low-level fighting skills be at the Xuan level? Then this is too lakun.

First, the author's last book was quite good. How many female protagonists are there in this book?

The previous book was very well written, and I read it for the second time, but I noticed some problems when I read it the second time. I would like to make some suggestions, hoping that this new book can learn from the experience of the previous book and make some optimizations to make the work more perfect. First of all, there is the problem of the protagonist's cheat in the last book. He opened it too much. It is obvious that the writing power cannot control the cheat later, so he can only forcefully suppress the combat power. With all kinds of hundreds of times feedback, binding so many heaven-defying talents, and consuming many times the resources and energy of ordinary people, the description of the difficulty and speed of the realm breakthrough is unsatisfactory, and the combat power performance is also a bit speechless. It cannot even reach the height of Xiao Yan in the original work. Secondly, there is the protagonist's attitude towards others. There are basically no big problems in other parts of the portrayal. The main thing is the attitude towards the ancient tribe. The attitude is too low. When Xiao Yan went to the ancient tribe in the original work, he was just a Dou Zun + an eighth-level alchemist. He was neither humble nor arrogant. When the protagonist went there, he was already a two-star fighting saint + a ninth-grade alchemy grand master + Danta president. He was still like a younger brother. All cats and dogs could come up and make fun of the protagonist. It felt ridiculous. A few garbage elders who were not even half-saints dared to attack the protagonist in public. Let's not mention how the ancient tribe's internal intelligence did not know that the protagonist had become a saint. Based on the identity of the protagonist, how could these elders be qualified to test the protagonist? The protagonist was made trouble in public and was disgusted, let alone killing people on the spot. After all, he was on someone else's territory, but he was too aggressive. It's gentle. It's just a slight retaliation. It will at least cripple the person or beat him until he is half-disabled and unable to get out of bed for several months. Moreover, the protagonist also puts himself in the position of a junior when he speaks. His words are too polite and condescending. Even Xiao Yan is better than you. The latter is even more heavyweight, even the ancient demon jumps out to provoke him, and he is very clever. The ancient demon likes Gu Xun'er, but he is not a fool. He even compared Elder Gu Lan to a two-for-one. His own juniors made fools and made fools of themselves without directly stopping them. They completely embarrassed the ancient clan. The protagonist's attitude was so kind, but he actually fought with the ancient demon later. He was really blind. Look, before writing these plots, you must first think clearly about the current strength and status of the protagonist. These people are not the ones to be embarrassed at all, and the people of these ancient races are not idiots. Such a pretense of forcibly reducing intelligence is too low-level than a slap in the face, and the writing is not exciting enough. The protagonist's attitude is too soft, and the retaliation is not tough enough, and the performance will be neither good nor bad. The last point is a matter of opinion. Personally, I think you shouldn't spend much space describing the characters that you don't accept, such as Yafei and Yun Yun. And Dan Chen, I felt that since I was bound, I had to take responsibility, and it was also good for me. But after the protagonist was bound, he ignored it, didn't confiscate it, and became invisible later on. This is also a pity for me personally. I like Dan Chen very much. In fact, the above-mentioned ones do not have particularly serious poisonous points, such as being a clone of yourself, double standards, hypocrisy, eagerness, and stallion. None of these things. The protagonist is very well portrayed, but lacks some edge. He is too kind to others and needs to be tough when he should be tough. Among the many Dou Po fans, there are only a few who can write as well as the author. I hope that the author can better improve himself after absorbing and summarizing the experience of the previous book, and can perform better in this new work.

Isn't there only nine levels of fighting spirit? Where did the tenth level come from? Be more rigorous.

Author, are the heroines Yun Yun, Little Doctor Fairy, Ya Fei, Han Yue sisters, Dan Chen, Feng Qing'er, Cao Ying?

The setting at the beginning is quite contradictory to be honest. Gu Yuan's old friend is also a strong man, but as a result, as the son of a strong man, his qualifications can be said to be very useless in the entire continent.

Don't worry about those who talk about stallions. As long as the writing is good, there will be no shortage of readers. Try to include all the good ones. As for the vase, it depends on everyone's understanding. For example, Yun Yun is evaluated by most people. I can only say that Yun Yun is not low in talent, but she is similar to Xiao Yan, the protagonist of the original book. Compared with the talent, it seems very poor. Normally, Yun Yun's talent is not inferior to those of the geniuses of the Dou Emperor Ancient Clan. It's just that the Dou Emperor Ancient Clan has the advantage of bloodline. The fact that someone like Yun Yun, without any bloodline or vast resources, can reach Douhuang in her early 30s is enough to prove that her talent is not bad.

I hope the female protagonist can help the male protagonist and not be like this, copying the talent is useless.

The heroine Xun'er, the Little Medical Fairy, Qing Lin, Zi Yan, that's enough

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