China Entertainment: from a Fierce Boy Band to a Chinese Superstar

The author really relied on imagination when writing the book. I was really drunk when evaluating singing skills based on high notes. Then the author emphasized that others have been practicing singing for more than ten or twenty years since they were young. The protagonist has only practiced for a few months. How can he compare with others? Isn't this pure nonsense? Do you think you can sing anything if you practice for a long time? Singers require more talent than actors, and their voice conditions are not up to par. There are some songs that you won't be able to sing after practicing for a lifetime. This is nothing, but I really can't understand the various idiotic actions of the protagonist. I would rate this book as high as seven.

How do you think you can get into Nortel and sign a contract to join the garbage group?

Where is the brain? Tianyu, the copyright of your songs is not yours. This guy must be out of his mind. Go to Tianyu for Nortel. This book reeks of stupidity from the beginning

The male protagonist's premise has collapsed. He is a reborn Nortel student who can't sing and dance but is super handsome. He has to join Tianyu. It's so stupid and the writing is too tearing.

You can't write a harem story like this. In the entertainment industry, it's okay to sleep with each other if you like each other. Everyone on the set knows about the couple, but why do you think you mean to be responsible to the end in your writing? And you want to have sex with a girl? I feel like I'm going to collapse as I write this. There are no fools in this industry, and fools cannot join the entertainment industry. Don't throw other people's intelligence to the ground.

Not pleasant at all. . . . . . It really suppresses the protagonist.

The more I write, the more biased I get. Songs like "Learning to Meow" and "Youth Handbook" are rated by insiders as 8-9 points and 95 points for creative talent. That's the confidence that comes from it. Even if you don't get scolded, it's a good thing.

The writing is nice at the beginning, but a little perfunctory at the end. If the author really wants to finish it, I look forward to the next Huayu. China Entertainment: From the conch man in Sword and Sword 3 to the enviable behind-the-scenes boss The outline of the story is similar to this one. 1. Protagonist's background: 25 years, web drama screenwriter, analyst 2. The casting of Reborn Sword and Shishi met, and their talents attracted 3. The protagonist doesn't have much money, don't get involved in stocks, lottery tickets, bits, etc. It's boring to rely on this after being reborn. 4. The protagonist's rebirth has a bonus, the body is 1V3, and the memory and learning ability are enhanced. 5. The protagonist has no background and no money at the beginning. Through a series of things, he deals with various connections, supporting roles, male 2nd, and learns crew operations in the middle. During these long story lines, he takes acting classes and learns vocal music. After knowing the process of the crew, I made connections and released an album, opened a company, found a headhunter, wrote a violent idol drama, found people to cooperate with, and produced two TV dramas in a row. Establish an investment company. . . During this period, the girl was sleeping like crazy. The author likes very much that you can become a mother after the age of 30. In the early and mid-term, you can invest in the mother's personal studio, create your own or exchange resources to keep the child's mother in two TV series or movies a year. Housewives tend to lose their charm and are not moist enough. 6. The protagonist has been reborn and must be changed to something, otherwise there will be no soul. For example, in Little Fresh Pork and Cold Wave, the protagonist works behind the scenes to suppress traffic stars, and those scripts can only shout 123, prick their fingers, and shout doctor. . ? ? Eat a peach. . ? ? 7. When the protagonist gets up in the middle and later stages, change it into some good ideas, such as movies or TV shows that the protagonist likes but are not popular, and change them into some narrative structures to make them popular. . .

I saw Chapter 27 and couldn't stand it any longer. It's really interesting. I really wrote a story about a boy band's hot guys coming out, and wrote a plot to determine the candidates for the boy band. The author felt that he imitated the variety show host's sentence break and he must have done a good job. Everyone must like it. When the male protagonist heard his name, he thought he was eliminated and wronged, and almost dropped his pearls. It's really invincible. The first 27 chapters alone are filled with a lot of psychological descriptions in square brackets. I thought I was reading some kind of youth pain literature. The psychological descriptions are meaningless. I saw someone submitted a song, and I was asked to submit a song, and then I denied myself. This is the mentality. This is rebirth. It is difficult for me to recognize it.

The protagonist is so awesome, he has married about 10 women in about 200 chapters. Some of them are fine even after the resource replacement, but there are about 6-7 who are not letting go, and there are 2 assistants waiting to take over. With such a thing, is it worth waiting for female stars in the entertainment industry to share? The emotional value is not given much at all. The ML is divided into one person about 10-20 times a year. In this way, the protagonist is still finding a few new women a month to get female celebrities. The author does not give the protagonist any brains. All the writing is in the hands of the author. There are really too many. On normal holidays, Valentine's Day, etc., 4-6 Girls are almost the limit. After all, chatting also takes time. A person like the protagonist spends time to get it and play with it for a few days before replacing it with another one. Especially those who are waiting for the top position. It is better to sleep with the protagonist and then take pictures to the rival company, and wait for the protagonist's resources to be eaten and then eat again.