Notes on the Origins of Song Dynasty Studies

About This Novel

Jiang Fan (1761-1830), a famous scholar of the Qing Dynasty who was active in the Qianjia period, was a disciple of Hui Dong, the master of the Wu School. He adhered to Hui's teachings of "respecting Zheng in the Six Classics, and following Zhu in a hundred practices." The compilation of the two notes reflects Jiang Fan's understanding and summary of the academic history of the era, and together completes Jiang Fan's own construction of the academic history system of the early Qing Dynasty. It has become an important work that is the first reference for examining the development of ideological and academic scholarship in the past two centuries. However, compared with the Sinology Shi Cheng Ji, as the first true historical work of Qing Dynasty scholarship, the Song Study Origins was written in a hasty manner, written simply and even without errors. The root cause lies in the compiler Jiang Fan's deep rejection of the scholastic consciousness. This manuscript uses traditional philological methods to study academic history, and conducts detailed textual documentation of the entire book "The Origins of Song Dynasty". It examines historical sources, compares similarities and differences, eliminates falsifications, and fills in gaps. It is based on the purpose of seeking truth in scholarship and making sure that the Neo-Confucian personnel and personnel in the early Qing Dynasty described in the account are detailed and accurate for the reference of the academic community. It is helpful to understand Jiang Fan's own thoughts, the academic ecology of the dispute between Han and Song Dynasties in the Qing Dynasty, and especially the development of Neo-Confucianism in the early Qing Dynasty.

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