This is Really Not a Mechanical Ascension

It's so tiring to watch. The protagonist is like a broom star. No matter where he goes, a group of people will die. It's like a disaster. The author has written the protagonist in such an extreme way that he is like the Son of Doom.

The previous book, I personally think, was inferior to The Mechanic. It was slow in the beginning, the climax was slow, and the emotional line was not handled well. The princess, mermaid, and queen could all be written more delicately. The latter part was written too quickly, and the influence was too small. The protagonist upgraded himself. Unexpectedly, it was almost the end, and there was a map outside the known universe and several stronger ones popped up. . . The previous strategies in this book on Silver Gray Star and Blue Star were pretty good. Although people died wherever the protagonist went, it was actually reasonable. Who on the road to becoming stronger or moving up would not have a pile of corpses of enemies and those who stood in the way at their feet? It's a bit anxious in the middle. C kills A, B kills S, and A kills ss (X). If we keep up the progress like this, 90% of the time the protagonist A will be able to fight against the sub-ultimate. Then when he reaches S, he will kill sss and the ultimate life again. Then what's the point of killing X (ss) later? Are all the top bosses of the Yuan clan supposed to be super-gods? ? ? This kind of combat power setting has fallen into a trap somewhat. . . Moreover, every time we fight an enemy two levels above, most of them are sneak attacks and instant kills. There are too few big battle scenes. Just the 40-minute fierce battle in Ryan. From the perspective of the spectators, it is said that the fluctuation in the center area is enough to explode the stars. The result is also It's not written in a grand way. When Black Star fought against an A-level Overlord, there was a famous scene where the Overlord was pushed into a star. You were fighting against an SS-level Imperial Prince, and you skipped the battle scene and went straight to "40 minutes later." Isn't that too much?

It was good at first, but then it got worse and worse. A good lone wolf character has to build a power inexplicably. Then when you confront others, you can release them if you catch them. If you are bullied, you have to endure it. Especially when I confront the empire, I feel that I am very smart and a clown. I almost lost my life to that prince, but I have to shake hands and make peace to avoid conflicts.

Later, I didn't control the time well and wrote the universe too small. It takes less than a month for an empire to rebel. If there is absolute power to suppress it, who can make a big move?

How can I put it? It looked pretty good at the beginning, but in the middle and later stages, I felt that the IQ was not as good as the previous characters. For example, the princess had a think tank, and the S-level and x-level IQs in the later stages were not as good as those people.

It would have been nice to have the climax of the plot not written out. In the end, he was force-fed. The plot ended before the protagonist even reached the highest level set by the power system. There was no explanation of how the protagonist came to be or what the system is. It can't be called a bad ending. It's clearly a eunuch before the finale.

It's a bit inconsistent with the slander in the introduction. I don't have any sense of belonging in the time travel. I have already paid off the extra help for them, and I have to add some burdens. What benefits do they deserve? Keep helping them

Too few, too few words, not enough to read

The protagonist wants to be a white man but also wants to do gangster things. It seems very serious and upright, and it is uncomfortable to watch. The title is too long and smelly, as if it is given to an AI to summarize and then copy it all.

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