I Draw Comics in Bubble Tokyo

The male protagonist's soul travels to the Tokyo area in the neon bubble era. He learns from his previous life and the comic works [memory fragments] that are ahead of the times. He grows from an "apprentice" to an industry master who leads the global ACG cultural trend. This is an entertainment Japanese light novel. In the past, most entertainment Japanese light novels used "literary works" as a means for the protagonist to raise funds to start his career line. In the course of a series of relatively fast-paced plot advancements, the protagonist is in sharp contrast to the "poverty" situation at the beginning. It is not just as simple as "changing his face", but the originally uneventful life path has also undergone earth-shaking changes due to the creation or turning point of the career line. In contrast, this book is more inclined to be a daily article explaining the profession of "neon cartoonists". The latter may lose some of the interest of Japanese light novels in its rather realistic descriptions, but if you can settle down and savor the plot, you can understand the work. The emotion conveyed by the teacher in the love letter is about the social and life struggles of neon workers in the bubble era and the helplessness and sadness of small people who cannot change their situation through hard work and have to resort to various means in order to "sway upward". I think this is also the reason why this book is more suitable to choose the "urban" theme rather than the "light novel" track. Compared with the latter, it is not "light" enough but at the same time presents a more heavy feeling of life. If the love letter teacher's old book "My Girlfriend is a Cellist" is about adolescent boys using the system to promote their love and artistic ideas with girls; that book is more like a young man who accidentally traveled through time in order to change the life of ordinary Qiqi, using "Golden Finger" to step by step from a small person to a giant in the industry to achieve himself. From "Mima" to "Hell Girl" to "Spirited Away", the career path planned by Mr. Love Letter for the male protagonist is also the same as that of the comic works that appeared in sequence. He started with niche works focusing on "artistic and literary value", and then continued with popular works with recognized commercial value in later generations. In my opinion, some "popular" works will not be used arbitrarily by male directors just because of their commercial value. Instead, they can present their own creative style while highlighting their artistic concepts, forming the healthy growth and gradual progress that a professional daily writer should have.